Free A Darkness More Than Night by Michael Connelly Page B

Storey worked on the wrong side of the camera to be a fully realized celebrity himself, but his name was known and he wielded the awesome power of a man who had delivered seven box office hits in as many years. The media were drawn to the Storey trial in the way young people are drawn by the dream of Hollywood. The advance coverage clearly delineated the case as a parable on unchecked Hollywood avarice and excess.
    The case also had a degree of secrecy not usually seen in criminal trials. The prosecutors assigned to the case took their evidence to a grand jury in order to seek charges against Storey. The move allowed them to bypass a preliminary hearing, where most of the evidence accumulated against a defendant is usually made public. Without that fount of case information, the media were left to mine their sources in both the prosecution and defense camps. Still, little about the case was leaked to the media other than generalities. The evidence the prosecution would use to tie Storey to the murder remained cloaked, and all the more cause for the media frenzy around the trial.
    It was just that frenzy that had convinced the district attorney to move the trial to the large Department N courtroom in Van Nuys. The second jury box would be used to accommodate more media members in the courtroom, while the unused deliberation room would be converted into a media room where the video feed could be watched by the second- and third-tier journalists. The move, which would give all media — from the
National Enquirer
to the
New York Times
— full access to the trial and its players, guaranteed the proceedings would become the first full-blooded media circus of the new century.
    In the center ring of this circus, sitting at the prosecution table, was Detective Harry Bosch, the lead investigator of the case. All the pretrial media analysis came down to one conclusion: the charges against David Storey would rise and fall with Bosch. All evidence in support of the murder charge was said to be circumstantial; the foundation of the case would come from Bosch. The one solid piece of evidence that had been leaked to the media was that Bosch would testify that in a private moment, with no other witnesses or devices at hand to record the statement, Storey had smugly admitted to him that he had committed the crime and boasted that he would surely get away with it.
    McCaleb knew all of this as he walked into the Van Nuys courthouse shortly before noon. He stood in line to go through the metal detector and felt a reminder of all that had changed in his life. When he had been a bureau agent all he needed to do was hold his badge up and walk around the line. Now he was just a citizen. He had to wait.
    The fourth-floor hallway was crowded with people milling about. McCaleb noticed that many clutched stacks of eight-by-ten black-and-white glossies of the movie stars they hoped would be attending the trial — either as witnesses or as spectators in support of the defendant. He walked to the double-door entrance to Department N but one of the two sheriff’s deputies posted there told him the courtroom was at full capacity. The deputy pointed to a long line of people standing behind a rope. He said it was the line for people waiting to go in. Every time one person left the courtroom another could go in. McCaleb nodded and stepped away from the doors.
    He saw that further down the hallway was an open door with people milling about it. He recognized one man as a reporter on a local television news program. He guessed it was the media room and headed that way.
    When he got to the open door he could look in and see two large televisions mounted high up in either corner above the room where there were several people crowded around a large jury table. Reporters. They were typing on laptop computers, taking notes on pads, eating sandwiches from to-go bags. The center of the table was crowded with plastic coffee and soda cups.
    He looked up at one of the