Free The Four Fingers of Death by Rick Moody Page B

to hear, but I stuck around because I’m happy to spend some time with other people who see how things are now. You’re an interesting guy, Montese. You’re a guy with vision. Maybe even you’re a genuine part of history. You’re the man who was able to anticipate history, to anticipate what the body is in the process of becoming, and in this card you see the composite that is the human body, the composite it’s becoming , and so you’re the man I, and the people I represent, needed to see.”
I would describe my discontent as being like a skin lesion, or like an archipelago of buboes. I had felt that D. was my first legitimate new friend in some years, and now I felt like some kind of exotic figurine he had collected so as to have me on his manifest , along with one of the Dave “Three-in-One” McClintock class B baseball cards and a bunch of cyborg prototypes. Another man might have left the table immediately, certain that he would sunder relations with D. Tyrannosaurus. Another man might have lamented his naïveté, or started a fistfight, or contacted some oversight agency, or hired a trained professional to deal with Tyrannosaurus. But not me.
I said: “It’s a wager.”
Because even if he was a wheeler and a dealer, or some kind of conceptual artist who specialized in duping innocents, I would crush him on the chessboard. I would read up on games played with a missing pawn; I would read up on the Bulgarian tactics that had proven so popular in the chess world recently. I would find whatever hidden stratagems I required to make D. Tyrannosaurus, convicted felon, rue the day he had come to the desert.
Next, as an effective researcher, I determined to use my talents to see what was available about D. on the web, now largely pages in Cantonese. As any citizen of the NAFTA treaty knows, the surveillance capabilities of the web permit much, for a nominal fee, and I managed to locate the alumnae association from his graduate school, the prison records for all the prisons in his home state; I even scoured lists of art exhibitions by persons with variants of his name. I did find six or seven persons with names that had D’ s and T ’s as their initial consonants who had similar biographies. But as far as a particular D. Tyrannosaurus, or any variant of this name I could come up with, the results were thin. What was the nature of his felony? Was his crime against property? Was he an arsonist or some kind of detonator of government buildings? Was his crime somehow indivisible from his art? Was his crime political or philosophical? It was only the most determined, these days, who could stay out of the reach of the global media, but among these, apparently, was D. Tyrannosaurus.
He had his reasons, evidently, and I believed they would come to light. But my principal reason for wanting to play this game of chess was that I wanted the work . I wanted to write the novelization he described. And I wanted to make my life better, in a Horatio Alger sort of way—I wanted the money, I wanted the self-respect, and I wanted the approval of Tara Schott Crandall, the woman with the new lungs. This made a rather adorable story, writing a science-fiction novelization in order to impress a double lung transplant from whose side I had not strayed for more than three or four hours in a couple of years, except when she was in the ICU and I left her, for example, to give a reading at Arachnids. But just as the chess match was looming on the calendar, something awful happened, the awful thing that goes by the name fungus . Prior to the events described here, I knew nothing about fungus but that mushrooms were tasty and that you should wash between your toes. But fungus, in particular aspergillus , would become my wife Tara’s greatest threat.
There are a number of kinds of organ rejection, as we now know from the medical literature. The first of these is instantaneous, in which the organ is flooded with lymphocytes, and death is