jump minutely.
“She’s a lively one,” Finbar said.
Teige raised his hand to let her smell it, but she mistook the gesture and swung around and the brothers had to pull back
and Teige whispered
shshsh
sounds and put his hands out with palms raised as if he could touch and smooth down the irrational and make the animal feel
the radiance of his respect for her. The gypsies watched him. The women had come from their chores and were standing not far
distant in the small clearing. The pony was turned into the trees. The brothers sensed the expectation of the audience behind
them, and when Tomas looked back the gypsy who had led them there pointed once again at Teige and made a small rising gesture
with his hand.
“They want you to ride her,” Tomas said.
“She’s wild,” Teige said lowly, not taking his eyes from the eye of the pony and moving another half step closer.
“Of course she’s wild.”
“I won’t be able to.”
“If she’s a horse, you will.”
“Go on, Teigey boy. Get up. Go on.”
The three brothers watched then as Teige angled his head forward and raised and lowered it in an exaggerated slow nodding
mime that the pony watched from the corner of her view. He made himself smaller and then raised his right hand slightly and
proffered it to the air between them. The pony let a low whinnying down its long face and opened its nostrils as if to breathe
in the message of the boy and discover for herself the veracity of his heart. Teige stepped forward and the pony did not move.
Her feet were planted. He reached and held out his fingers inches from her face. He held them there proffered a long time.
The pony did not turn away. She took hard short breaths and was as one growing slowly accustomed to something in which she
did not believe. The company assembled may have been spirits to her eye and the boy the dead Mario. Hershoulders flickered. Quick, skittish movements of uncertain purpose passed through her. Then Teige moved the hand that hung
in the air and placed it upon her and stroked the warm, hard length of her face. He ran his fingers under her chin and scrabbled
softly while whispering not words but sounds. He moved inside her tethering then until his chest was against her. He pressed
himself against the quickened breathing of her flank and ran his hand up and along her back. He stroked the length of her
and kept the pressure of his fingers even upon her flesh as he moved across her back and down her haunches and round the hocks
of each of her legs. Then he reached behind him with his left hand and untied the rope that held her and let it fall loosely
across his fingers, moving her backward from that place with one hand on her side and the rope slack in the other. He took
her a few paces and she moved easily for him, her step not full or graceful or true but marked by relief and the notion that
she was free. The boy and the pony moved away from there into the trees, and the gypsies and the Foley brothers walked after
them and the gypsy women did the same.
In a place where the ash trees thinned and the ground was softer and gave beneath each hoof, Teige swung himself onto the
pony’s bare back and felt the hushed inhale of the gypsies watching. The pony did not flinch. She did not run or buck or stamp.
She stood with feet planted like the statue of herself and waited and felt the presence of the boy. The rope was around her
as a halter, but Teige held it loose and then squeezed her with his thighs as softly as he could and at once rode quickly
away.
11
The morning rose grey and still and held the air of new creation. The fields looked unfolded fresh in the dawn.
The grass was wet and caught whatever light fell and appeared more green and young than it was. Teige held the rough rope
of the halter loosely and tried to allow the pony to race her frustration and confinement away. He sat on the broad working
muscles of her back and felt her