with the instantly recognisable Christian Louboutin red sole, and most in black, nude, silver or gold, so perilously high and delicate they looked like art installations rather than footwear. I was glad I’d brought plasters and Party Feet. Then ‘the pièce de résistance’ as Mona referred to it: a long clothes rail filled with the most exquisite evening wear I had ever seen. Some gowns were so long they trailed onto the floor;others screamed for attention with their eye-popping hues or sophisticated detailing. I thought the rails at Smith’s were something special, but this was a whole new level of glamour. Each piece struggled to steal the spotlight from the next. I couldn’t take them all in fast enough—it was like lifting the lid on a fairy-tale fancy dress box. One dress was so full of elaborate creamy ostrich feathers its plumage rose up above the others, like a sensual showgirl high-kicking onto centre stage. Next to it, a hanger groaned under the weight of a heavy, one-shouldered gown covered in twinkling black sequins: a dress fit for a diva. A stunning emerald beauty threw glitter-ball spots of light onto the ceiling, from the glinting silver jewels hand-sewn onto its neckline. The craftsmanship and love put into each gown was instantly visible.
Amid this cornucopia, there was one that instantly appealed to me; a beautifully romantic, scarlet satin Valentino number, figure-hugging, oozing class. It might as well have had an Oscar pinned to it as an accessory. I ran my hand over the material, cool and silky-smooth to the touch.
I wonder what it feels like to wear a dress like that.
‘Red-carpet evening wear on the left, low-key daywear on the right,’ Mona informed me, though I failed to see anything ‘low-key’ about the entire collection. ‘It’ll be obvious straight away who’s looking for what.’
I really hoped it would. A fug I assumed was jet lag was starting to surround me. I stopped myself thinking that, eight hours ahead of us in the UK, I’d probably be in my cosy bed after an evening on the sofa with Vic, eating pitta and hummus and watching Graham Norton. At five to five, the front desk alerted us that the TV crew were making their way up, so I locked myself in the posh cream marble bathroomand rummaged through the stash of free miniature products, attempting a quick freshen up. I splashed water on my face, rubbed silky moisturiser into my arms, neck and chest—so at least I was vaguely fragrant—and re-scraped my hair back into a ponytail. It would have to do.
Today’s TV crew was similar to the one we’d entertained in Smith’s not much more than twenty-four hours ago, only this time, another shaggy-haired cameraman was joining Fran with the bob and Rob. This one was American and called Lyle, but I christened him Shaggy, too. Fran with the bob shook my hand and Rob planted a peck on my cheek.
‘Amber, good to see you again.’
It was great to see a friendly face. In a crisp white T-shirt, jeans and Pumas, Rob looked fresh, like he’d actually managed to shower since disembarking the plane. The place where he’d planted the kiss was burning up. He had Mona and I sign more release forms. Then, no sooner had the camera been set up and we’d necked another coffee, there was a ring at the door.
Our suite has its own doorbell!
I opened it to reveal a man mountain, dressed like a nightclub bouncer in a black suit, white shirt and skinny black tie, his hair crew cut, a small earpiece tucked inside his right ear.
‘Hey, Mona, good to see you again. I’m here with Miss Belle—should we come in now?’ He looked straight through me. I fizzed with excitement, jet lag suddenly forgotten. I was about to meet Beau Belle, star of so many chick flicks.
Vicky would die.
‘Not looking after Miley any more, AJ?’
‘No, Trey Jones, but his fiancée, Beau here, has got me run off my feet,’ said the Hulk, bending his thick neck to speak into a discreet radio microphone pinned to his