Free Dead Babies by Martin Amis Page A

Tara and all the niggers moving in, the fact that a man couldn't take a beer at Kramer's without getting
jostled by the longhairs . . . Philboyd's life became a
    depressing series of grousing sessions, drunk bends and violence jags. The old mechanic died a little every time a Rican or a Jeeew pulled into his station, expecting gas what's more; : every time he saw the boogies come across the railway line, seemingly unharmed; every time the sun went down over the Coke sign back of the house, causing his evenings to be dimmed by a premature vault of shadow. When Skip became physically unable to take more of his motiveless beatings, Philboyd bought from the glue factory a three-legged mule, which he installed in an enclosure and went out to visit torments on twice daily with kitchen knives, meathooks, branding irons. This helped some, but not for long. The animal fell down dead on him two months later.
    And so then of course some Vanderbilters get along from Nashville and Skip starts to hang out with them. They're all between twenty and thirty and Skip hasn't seen seventeen yet, but he has this peculiar facility with older boys. For Skip is what used to be called a "slag": he'll do anything; there's nothing he won't do. "Skip, see if you can dive from the cooling tower into that tank right there." "Every time." "Skip, take the shit buckets down to the trash pile, willya?" "Uh-huh." "Skip, go steal us some beers from Kramer's, okay?" "Right on." "Skip, eat that slug." "No sweat." Certain menial sexual chores fell also to the lanky boy, which he performed with care and avidity. As a student once remarked, "Skip'd rim a snake so long someone held its head." There were lots of drugs, too.
    One day Philboyd motored past the Kampsite in his dump truck, saw Skip lying on the grass with a crew of whores and hippie fags. To his hopelessness and grief, Philboyd could not act immediately; time was—when there'd been enough tubby little rednecks like himself still living in Tara-—they could have pitched right in there and whomped up a storm. This reflection saddened him further. As it was, on Skip's return that night Philboyd clubbed his son around the kitchen with a frypan for three-quarters of an hour. "Ah, let the boy be, Philb," came Mrs. Marshall's sickly voice from the adjacent bedroom. "Trying to get some rest in here." "Shut the fuck up," replied Philboyd, who had in any case decided to take his wife's advice, being too old and fat to go on. "Skip, next time I see you which those queeahs again," he panted, "I'm
goan bust your head."
And, to be sure, the next time he saw Skip with those queers again Philboyd attempted to keep his promise. He could hardly believe his good fortune. There was Skip with a solitary student, drinking beers in a downtown penny arcade. Philboyd slapped open the door and strode over to them, eagerly unhitching his belt. "This is it, son. I'm gonna kill your ass." Without reaching any kind of decision, Skip rose, made a circling motion with his right fist and then offered it up to Philboyd's chin at high velocity. Philboyd seemed to stay perfectly still for at least two or three seconds, his face frozen in unbelieving disappointment, before being snatched up into the air and cannonaded against the wall, down which he easily slid to collect in a fat puddle on the floor. With slow-motion fear his son scooped him up and straightened him against a fruit machine. "Dad . . . ?" Skip's hands were shrugged off. "Ah, let me be, son." Philboyd stumbled home, hair matted with sawdust, blood, and beer, and dejectedly hosepiped his wife to death.
Seemed like Skip's life had fallen apart all around him. Ma was dead. Philboyd had a manslaughter charge to face. Marshall Mekanix was closed down. The authorities didn't appear to give a shit what he did. And he had always hated Tara anyhow.
Skip found employment in the automobile plant on the far apron of the second cloverleaf off the third spaghetti junction along the