Free Another You by Ann Beattie

Perdue,” she said. “Remember that joke the nurse told me? ‘He doesn’t write, he doesn’t call.’ ”
    Sonja did remember the joke—it involved a woman raped by a gorilla, bemoaning the fact that afterward, “He never writes, he never calls”—but she wasn’t much in the mood for jokes. She had talked to Tony just before she left the house that morning, about a house sale that was slipping away, and interspersed with that morning’s sexual fantasies, he had communicated his own anxiety about relaying bad news by telling one inappropriate joke after another. And Evie—what must the world seem like to Evie, now that nothing was taboo and there were so many jokes, told by everyone from the nurses to the cleaning crew? She felt stuffy—stuffier than Evie, by far. She was also sorry that Marshall did not pay more attention to his stepmother,though if anyone could understand his habitual preoccupation, it would be Evie. The week before, when Sonja visited, Evie had quizzed her about Marshall. Did he help her with housework? She had taught him how to make a bed, how to iron, how to bake. Did he do any of those things to help out? “You know Marshall,” Sonja had said. “He’s very distractible.” “Well, are the beds even half-made, then?” Evie had wanted to know. Some part of Sonja took secret delight in Evie’s high estimation of her. If she had answered honestly, she would have said she’d stopped making the bed herself. Not only that, but she’d been cavorting in beds in motel rooms with Tony. On the last visit, she had given Evie the impression that the affair was winding down, though that was untrue. She had misled her, hedging her bets: she’d confessed in order to be forgiven, though in case Evie didn’t seem inclined that way, she’d tried to deemphasize the importance of the affair, hoping that would also result in her feeling less pain if Evie did censure her.
    “It was quiet here last night,” Evie said. She spoke suddenly, as if she had just realized something. “No one was complaining, and I didn’t hear one dinner plate dropped on the floor, and the television was broken, which almost gave Mr. Goldman Saint Vitus’ dance, so they played music for us. One of the aides went out to her car and brought in Frank Sinatra music. There’s a record—a tape, I guess I should say—of him singing duets with new singers” (it came out “pinging duets with new pingers”), “and you know, it was still nice to listen to him, but of course he’d lost that beautiful voice. The way he once sang ‘This Love of Mine.’ ” She smiled apologetically at Sonja. “I never had a crush on him the way most people did. I was just thinking that when he was young, he could sing and seem to make the world go quiet. I think people in the nightclubs did settle down. They paid attention even when he was singing an up-tempo song. They couldn’t help but listen, the way you can’t think of anything else if there’s a bee behind your head.” “Bee” came out “tree,” and it was only when Evie made a spiralling motion with her finger that Sonja understood what she was pantomiming. “And if I was like some of the others here, I’d take the occasion to talk about the beautiful gardens I used to have, and to tell you about all the bees that would come for the purple flowers on the oregano plants, but that drives me crazy: they say one word, like ‘bee,’ and they’re off and running about every time they ever saw a bee and how funny andmeaningful and important it was, like you’d never seen one yourself. I could get bothered by it, but I don’t.” She shrugged. “I am bothered by it. But that doesn’t mean I’m going to tell you about every other time in my life when I was bothered.” Evie fidgeted with the ring on her finger. “And another thing they do is make complete non sequiturs,” she said, “so maybe I’ll take a hint from them there. I wanted to ask you to unwrap some more of