Free Timbuktu by Paul Auster Page A

far as he was concerned now, not even the notebooks in the Greyhound locker were worth more than a fart and a used-up can of beans. Let them burn, for all he cared, let them be thrown out with the trash, let them be tossed into the men’s room for weary travelers to wipe their asses with. He never should have lugged them down to Baltimore in the first place. A moment of weakness, that’s what it was, a last-gasp move in the vile game of Ego—which was the one game that everyone loses, that no one can ever win. He paused for a few moments after that, marveling at the depth of his own bitterness, and then let out a long wheezy laugh, bravely mocking himself and the world he loved so much. From there he returned to Omster, launching into a story his friend had told him many years before about meeting an English setter in Italy who could write out sentences on a typewriter that had been custom-built for dogs. Inexplicably, Willy broke down in sobs after that, and then he began to berate himself for never having taught Mr. Bones how to read. How could he have neglected to take care of such an essential matter? Now that the dog was about to be cast out on his own, he would need every advantage he could get, and Willy had let him down, had done nothing to provide him with a new situation, was leaving him with no money, no food, no means to cope with the dangers that lay ahead. The bard’s tongue was going a mile a minute by then, but Mr. Bones didn’t miss a trick, and he could hear Willy’s words as distinctly as he had ever heard them in life. That was what was so strange about the dream. There was no distortion, no wavy interference, no sudden switching of channels. It was just like life, and even though he was asleep, even though he was hearing the words in a dream, he was awake in the dream, and therefore the longer he went on sleeping, the more awake he felt.
    Midway through Willy’s speculations on canine reading skills, a police car pulled up in front of Poe’s house, and two large men in uniforms climbed out. One was white and the other was black, and they were both sweating in the August heat, a pair of wide-hipped cops out on Sunday patrol, carrying the instruments of the law around their waists: revolvers and handcuffs, billy clubs and holsters, flashlights and bullets. There was no time to make a full inventory, for no sooner did the men get out of the car than one of them started talking to Willy (“Can’t stay there, pal. You going to move on or what?”), and at that moment Willy turned, looked straight into his friend’s eyes, and said, “Beat it, Bonesy. Don’t let them catch you,” and because Mr. Bones knew that this was it, that the dreaded moment was suddenly upon them, he licked Willy’s face, whimpered a brief farewell as his master patted his head for the last time, and then took off, charging down North Amity Street as fast as his legs could take him.
    He heard the alarmed voice of one of the cops shouting behind him (“Frank, get the dog! Get the fucking dog, Frank!”), but he didn’t stop until he reached the corner, a good eighty or ninety feet from the house. By then, Frank had already given up the idea of chasing after him. As Mr. Bones turned around to see what was happening to Willy, he saw the white cop waddling back toward the house. A moment later, urged on by the other one, who was kneeling over Willy and gesturing wildly with his hand, he broke into a slow trot and went to join his partner. No one was worried about the dog anymore. There was a dying man to attend to, and as long as Mr. Bones kept himself at a safe distance, nothing was going to happen to him.
    So he stood on the corner and watched, panting heavily after his short run, the wind all but knocked out of him. He felt sorely tempted to open his mouth and howl, to let go with one of his dark, bloodcurdling moon wails, but he suppressed the urge, knowing full well that this was no time to vent his sorrows. In the