happy to do it. Would you like something to drink? Or some chocolate?â I indicated the half-empty bag of chocolate almonds on my desk.
âNo, thanks.â
âOkay, letâs sit down and take a look at the book.â I led her over to the worktable and we both sat.
She glanced around the room. âConvenient having your workshop at the front of the house.â
âI think so. I figure if someoneâs here on business, they can come right into my office without going through the rest of the house.â
âCool.â She pulled a heavy square book from her bag. âHere it is. You can see what a putzy kid I was.â
On the cover was a column of Chinese characters next to an intriguing painting of a Chinese woman in workersâ garb. In small letters along the side, it read in English, THE FINE WORKS OF CHINA FAMOUS OIL PAINTER ZHANG SONG . I turned the book over and opened it to the title page. It was written completely in Chinese. No English anywhere. On the facing page someone had taken a box of crayons and scribbled incoherently in ten different colors.
I nodded. âOh yeah. Very nice crayon work.â
âYeah, thanks. And youâll notice I tore some pages out. But theyâre still in there in case you think you can tape them back together.â
âI can do that easily. But the crayon marks are a little trickier.â
âThatâs what I was afraid of.â
I paged slowly through the book. There were only about sixty pages, but the paper was thick, as in many coffee table art books. It gave the book more heft. âThese are beautiful paintings.â
âI thought so, too. Which is why I tore them out and taped them to my wall when I was five years old. Idiot child.â
âIâm sure your mother understood.â
She shrugged. âNot exactly. I can still see it vividly. My motherâs face crumbling as she burst into tears and ran from the room. I wanted to throw the book away after that, but I just couldnât. She must have tucked it inside her drawer that day because I donât remember seeing it around the house again. Not until the other day.â
âIâm so sorry.â
âYeah, me, too. But if you can fix it, itâll be the greatest gift Iâve ever given her.â
I continued turning pages. The paintings were portraits of different Chinese women wearing richly woven traditional robes and clothing. Each woman was as beautiful as the next. Some were partially nude. Others were dressed in rigorously formal dresses. The brushwork was exquisite. The colors were soft and sensual and so tangible, I felt I could almost reach out and feel the satiny textures of the clothing.
As I paged through, admiring the artwork and the subject matter, it began to dawn on me that the paintings were all of the same woman. She changed her looks, her attitude, and her hairstyle for each picture, but it was clear to me now that it was the same model. This book was all about her. I wondered who she was and I was willing to bet that the artist had been in love with her.
âThis woman is so striking,â I said. âAnd these paintings really are fabulous. Have you seen any of the originals?â
âYou could say that,â she said, twisting her lips into an irreverent smile. âThatâs my mother.â
I mightâve opened my mouth, but no sound emerged. I wasspeechless. I grabbed my bottle of water and gulped down a few ounces.
Inspector Lee began to laugh. âNow you know why I wanted to tape the pages to my wall.â
âWow,â I said, finally able to speak. âShe is a gorgeous woman. I see where you get your looks.â
âThere you go again, trying to butter me up, but it wonât work. Iâm not going to divulge anything about the murder case, so donât bother asking.â
âThatâs not fair.â I let my shoulders slump for dramatic effect. âOkay, fine. You