or imagined?â Liz said. âThe Walkers? Aunt Jane, Uncle Hamilton, cousin Michael?â
They were alone at a long table in an empty classroom. He sat across from her, his spiral notebook closed at his elbow. She was hunched over her Beretta 92-F pistol, cleaning it.
Gordon said, âWalker was a cover name we made up for you.â
âYes, Sarah Walker. You didnât create a Santa Barbara family for me, too?â
âWhere are you getting such bizarre ideas?â
She oiled the Beretta. âIs there something I should know? Something about me and my cover?â
âWhereâd you get all this crap about a fictitious Walker family?â
âMy CIA file.â
âNot in the file I gave you.â
âIn personnelâs. Here at the Ranch. I used the computer.â
âWhen?â
She looked up. His face was red and growing thick.
She said, âDoes it matter?â
Swift and sure as a jackal, he lunged, grabbed her wrist, and twisted back her arm. The violence stunned her.
âListen to me, Liz Sansborough.â His words were clipped, his eyes slits. âIâve shown you everything thatâs relevant foryou to know. Whatâs in personnelâs file is none of your damned business. Itâs
top secret
.â
Her belly churned, but her mind felt strangely calm.
His face was close to hers. âYouâre in the Company. You follow orders. Your orders are to stay out of government files you have no clearance to see. Do you understand?â
She could slam her fingertips into his eyes. Go for his balls under the table. Her Beretta wasnât loaded, but she could bash it against his head . . . but why did she think those things? That was the way sheâd been taught to treat an enemy.
âYes.â Her tone was brittle.
He released her and inhaled deeply. âI didnât want to hurt you, darling.â His voice was completely different again: Smooth, composed, the voice of the man she admired. âBeing in the Company isnât a game. The rules are serious. Life and death. What made you even want to look in your file?â He stared as if trying to probe her brain. âI donât want you to get hurt in the field, or, God forbid, killed.â
âOf course not.â
A hot tide of anger rose in her throat. Who
were
Jane, Hamilton, Sarah, and Michael Walker? If they were real, did she know them? Were their identities lost in her past?
And why had the mere mention of them made Gordon lose control? What else didnât he want her to see . . . or know?
Dinner that night was spaghetti. The hot scents of oregano, thyme, and garlic filled the cafeteria. Liz sensed sheâd had this meal many times with an elderly white-haired lady who spoke Italian and smelled of just-baked bread. The lady had a sideboard with ugly scrollwork in her living room, and when Liz was a little girl sheâd loved to hide inside it.
Who was that white-haired woman?
A neighbor? A grandmother?
Later that night Liz studied Gordonâs sleep patternsâthe periods of restlessness, the periods of immobility. When he enteredanother phase of deep sleep, she again prowled across the camp and broke into the personnel building. Again she used her access code to enter the computer. But this time the computer refused it:
CANNOT READ. EXIT OR TRY AGAIN.
Gordon had blocked her code.
The early morning sky was pristine blue and cloudless over the Rockies. Lying on her cot, Liz stared out at it and thought of the photo of Gordon and herself on the beach in Santa Barbara. There was something about itâ
âYouâre awake. Good.â Gordon stood over her. As always, his smile was warm. âPut on your jogging clothes. Weâre going for a drive.â
âWhy?â
âYour endurance test. A twenty-mile run.â
As she dressed, she eyed him suspiciously. He acted as if nothing had happened, as if heâd never exploded and twisted