Babette answered, casting Zuriel a worried glance. âAfter all, I have a five-year-old son. I look for artists who deal as much with shadow and implication as with, um, anatomical detail.â
Bedell cast a quick grin over his shoulder. âI understand, Madame. A wise decision, no doubt.â
He moved to another rack of paintings, lifted the plastic, then stiffened. âEureka,â he breathed, âI have found it.â
Zuriel and Babette looked at each other as she asked, âWhat did you find?â
âThisâthis incredible piece,â Bedell whispered, his voice a hoarse rasp in the room. âSuch colors! Such honesty! Such . . . there is no word but passion! It is stark and primitive, yes, but this is the most genuine work I have seen in years.â
With curiosity snapping in her eyes, Babette walked over and peered past Bedellâs shoulder. Zuriel felt his stomach drop when her gaze caught and held his. âOh,â she said, her voice flat, âThe Puffin.â
âIt is a masterpiece!â Bedell pulled it from the rack with both hands, then carried it to the display easel at the front of the room. With the afternoon sun brightening the window, Zuriel had to admit Georgieâs painting was attractive.
âI have a client in Boston,â Bedell was saying, one finger pressed to his mustache, âwho would be thrilled to add this to her collection. She loves the Maine seashore, you see, and hasnât seen a real puffin in years. Iâm certain I could sell this to her.â
âReally?â Babetteâs voice was a whimper in the room.
âIâd stake my life on it.â Bedell ran his finger over the bold G in the lower right corner. âAnd the artist isâ?â
âGeorgie,â Babette whispered, her voice fainter than air.
âZhorzh-ay,â Bedell corrected. âI should have recognized his work immediately. In any caseââhe pulled a checkbook from his inner coat pocket, then turned to BabetteââIâd like to take this painting to Boston. Letâs seeâsuppose I offer you ten for it?â
Babetteâs face fell. Zuriel knew sheâd probably spent five times that amount on the frame.
âI really canât part with that picture, Iâm sorry.â She pushed a hank of hair from her brow and gave him a sad smile. âIt was a gift. It really shouldnât be in the gallery at all, but our roof was leaking, so I moved itââ
âAll rightâten now and five more when I sell the painting. Thatâs fifteen, and at that price Iâll be lucky to break even.â
âIâm sorry.â
Zuriel stepped between Babette and the art dealer, effectively cutting off their conversation. Mindful of his heavenly mission, he lowered his gaze to study Babetteâs face. âThink of Georgie.â He bent closer to whisper in her ear. âHe wanted you to sell that picture. If you do, no matter what the sales price, heâll know he did something to help his family.â
She looked away, maternal love and pride struggling on her face. âAll right,â she said, sighing. âIâll sell it. But only because Georgie wanted me to.â
âZhorzh-ay,â Bedell said, scrawling on his check. âAnd to whom should I make this check payable?â
âThe Graham Gallery.â Babette rolled her eyes at Zuriel, then flashed him a wicked grin that said ten dollars is better than nothing.
Zuriel grinned back, knowing Georgie would think the amount a princely sum. Ten dollars could buy a lot of saltwater taffy at the mercantile.
As he stepped forward to wrap the painting in brown paper, Zuriel heard the satisfying sound of paper ripping from a checkbook. Babette took the check and dropped it on the desk, then opened the drawer and fumbled for the ball of twine they hadnât used in over a month.
âWe hope you like the painting, even if