him as if she had fallen off the edge of the world. She had known Caroline, if only briefly. Playing with her, she had seen a darkness in her eyes. Only much later, long after Caro had vanished, after she herself had gone through a period of fear and suffering, had she recognized the nature of that darkness. Caro had been consumed with an inarticulate pain and rage. She had hit her breaking point and was gone. After the disappearance, Uncle Hank had questioned her, apparently believing she might know what happened to Caro. After that day, Alli had never heard him mention her again.
With her fingertips caressing the desktop, she wondered what secrets lay within the depths of her uncle’s burlwood castle. She started from the bottom up, figuring that secrets were safest in the depths. The left lowest drawer held a strip of hanging files, all pertaining to InterPublic Bancorp—memos, letters, quarterly P&Ls, and the like. She pawed through them with little interest, the bottom of the file holders scraping against the bottom of the drawer. The drawer just above was not as deep. It contained the usual stacks of pads of various sizes, packs of yellow pencils, a red plastic child’s sharpener, gum erasers, and various sorts of tape. How very neo-Luddite of Uncle Hank, she thought. Save for some spent pencil shavings and a broken bit of pencil lead, the top drawer was entirely empty. The wide middle drawer directly above the kneehole was filled with the sort of accumulated odds and ends—paper clips, staples, rubber bands, and Hi-Liters in several colors—endemic to all offices. The three drawers on the right held, variously, stacks of political magazines like The Atlantic ; a half-filled bottle of single-barrel bourbon, along with a pair of shot glasses in a holder; a paper packet of cough drops; a metal flask, dry as a bone inside; and a grease-stained take-out menu from First Won Ton, in Chinatown. She scanned it quickly. One item, a Chef’s Special, spicy fragrant duck with cherries, was circled in pencil. Beneath the menu was a photo of Caroline and her mother. Caro was young, ten or eleven maybe, but already you could see that she strongly resembled her mother, Heidi, who was tall, slim in an athletic way, blond—pale as a ghost, really—with a high, intelligent forehead and light eyes; it was impossible to tell what color from the photo and Alli didn’t remember her well enough to recall whether they were blue or green or hazel. Mother and daughter looked like two equestrians, models out of a Ralph Lauren ad. Sad now to think of Heidi somewhere on the West Coast and Caro in the particular level of limbo reserved for the disappeared. Alli put the photo and the take-out menu back, and closed the drawer.
Perhaps there was nothing.
She sat back on her heels, rocking back and forth thoughtfully, as she stared at the desk. On an impulse, she pulled open the drawer with the hanging files. She pushed them back and forth on their metal tracks, listening to the scraping, dry as an insect’s chirrup. All at once, a frown creased her face and, pushing the files as far as she could to the rear, she peered down at the bottom of the drawer. Looking again at the outside, it appeared as if there was a two- or three-inch differential. Rapping a knuckle against the bottom of the drawer, she heard a hollow echo, but feeling around there was no way in. Pulling the files toward her, she drew the drawer out to its fullest extent. A tiny half-moon indentation in the wood presented itself.
Hooking her fingernail into it, she pulled and was rewarded with a meticulously milled rectangular piece of the drawer’s bottom detaching itself. Inside the hidden cubbyhole she found a cell phone, and that was all. She double-checked the space before fitting the cover back on, pushing the files back into place, and closing the drawer.
She walked to the study door, pressed her ear against the carved and polished wood, and heard the murmuring of her
Henry James, Ann Radcliffe, J. Sheridan Le Fanu, Gertrude Atherton