asked.
âWhitâs,â said Cindy. âThe furniture is hers too. She left it to him when she died.â
It was the old-money-pretending-to-be-no-money look, what was good enough for mother and father is good enough for me, and we care more about the dogs and the horses than we do about the house anyway. Thereâs a fine line between antiques and junk; Iâve never been able to see it.
Considering the size of the house, there had to be several more rooms downstairs: a kitchen, a dining room, a library maybe, a den. We went to the kitchen next. The freezer door hung open, and water dripped onto the floor. An ice tray sat on the butcher-block counter, floating on a puddle of water. âDamn,â Cindy said. âHe got himself some ice and left the freezer door open.â She took a sponge, soaked the water up and squeezed the sponge into the sink. Then she opened the refrigerator and took out a bowl of chicken salad, cucumber sandwiches and a pitcher of tea. There was no ice for the tea, it had all melted. We sat down at the kitchen table. Cindy poured the tea, served the sandwiches and the salad, brushed the hair away from her face and took a look back into another decade, another man. âDo you remember Emilio, Neil, how good-looking he was?â She sighed.
I remembered. Emilioâs appearance in those days went beyond good looks into the danger zone of perfection. He was David who had just stepped out of Michelangeloâs marble, Elvis Presley before the army got him. He had warm brown eyes that could convince you to leave home and school and never come back. His kind of looks were bound to piss somebody off: gods, parents, the people who wore uniforms and suits. He wasnât spoiled by itânot then anyway. Who knows what came later? He wasnât arrogant either, which made him even more appealing. âHad me creaming in my jeans,â I said.
âI never knew how many friends I had until Emiliano started hanging around. Even you, Neilâyou came over a lot more.â
âMe?â
âYeah. Thatâs the trouble with having a good-looking guy. Your friends are always coming on to him, and half the time they donât even know theyâre doing it. One thing I can say about Whit: nobodyâs trying to get into his pants.â
âI know where they are, if anybodyâs interested.â She laughed and brushed the hair out of her eyes. âSome women might be trying to get into his checkbook,â I said.
âNot anymore theyâre not. Arizona is in a deep recession. Thatâs why we came here. I meant to call you once we got settled.â They looked settled to me. They looked, in fact, as though theyâd been in this house forever. âWe were only here a few weeks, and then this business with Mother and Justineâ¦â She looked at her plate, poked at a piece of chicken with a fork.
âWhat do you think happened?â I asked her. One classic investigatory technique is to find disgruntled current or former employees who know the suspect and get them to bitch. I didnât have an employee, so I turned to a family member. Even criminals need to confide in someone, and who else did Martha have to talk to?
â I donât know,â Cindy said. âMother hated Justine, and she is not a forgiving person.â She speared the chicken with the fork, picked it up, ate it automatically. âIf you find out, let me knowâor maybe I donât want to know. I donât know.â
Some defense lawyersâ mantra is: Itâs better not to know, but Iâve let curiosity get in the way of business before. âDo you have any idea how much Halcion she takes?â I asked.
âMotherâs little helper?â Cindy smiled. âShe got started on that after Michael died. She was crazy about Michael and was devastated by his death. He was the son, the husband, all the men sheâd never had. She