up. But I donât want to risk waking her or Osborne, so I eat breakfast at the Waffle House next door. The coffee is scalding hot, and the biscuits and gravy make my stomach cramp up. Afterward, I walk back and forth in front of the motel room door trying to settle my insides and get calm enough to walk in there and call. This is a bad idea. Maybe sheâs died. Maybe Osborneâs died. If they arenât dead, the last thing two old people need is a shiftless relative and a stinky dog on their doorstep.
Tucker yawns and licks the biscuit crumbs from his chops. My legs will not walk inside the room to make the call. I climb back in the truck. Smoke my fifth cigarette of the day. Watch people come out of their rooms, some still dressed in pajamas, looking tired and hopeless. One guy walks out in his boxers, scratches his balls, and yells back toward the open door of his room.
âBitch, you better get out here and clean out this car before I leave your ass.â
The dog and I trade a look. Fuck.
I call at straight-up nine oâclock. She answers after the second ring.
âCousin Georgia, this is Zeke Cooper.â
âExcuse me?â
Sheâs forgotten who I am. Jesus.
âCooper, Cousin Georgia. From Tennessee.â
A pause. âCooper?â
âYes, maâam.â I speak louder. âEzekiel Cooper, maâam.â
âOh,â she says.
Uh oh, I think. âItâs Zeke, Cousin Georgia. From Clayton. My motherâs Lillian Parker Cooper.â
There is an intake of breath. âOh, Ezekiel. Forgive me. Of course. How are you?â
I clear my throat before telling her Iâm in Charlottesville.
âCharlottesville?â She sounds confused and tired, not at all like the energetic woman I remember. She yells for Osborne to come quick. âWhen are you going to come see us?â
âWhenever itâs all right for me to stop by.â
âAnytimeâs fine by us, Ezekiel. Itâs been a while, hasnât it?â
âYes, maâam. Too long.â
She asks if the girls are with me.
âNo, theyâre back home with their mother,â I say.
âThatâs too bad. Another time.â
âIâd be happy to drive over right now, if you and Osborne are home.â
His heavy footsteps near the phone. He mutters something to Georgia about losing her mind before Georgia hands the phone over to him.
âHello?â Osborneâs deep voice rumbles. âEzekiel?â
âYes, sir. This is Ezekiel.â
He asks if I need a ride. I thank him but say Iâve got the truck.
âYou get on over here, then. Weâre going out on the front porch right now to wait for you.â
The phone clicks off.
Eleven
1985
The twisting branches of live oaks arc across both sides of the Lacey Farms entry road, offering shelter as I steer the truck to the house. When I lived here twenty-five years ago, life offered a thousand possible destinations. Good destinations. Now, when it comes to possibilities, I tend to think of what can go wrong instead of what can go right. Maybe thatâs part of getting older, like going gray. I smooth my hair in the rearview mirror, and though a touch of salt sprouts on the top, the rest remains the light brown of my youth. This gives me hope.
The main house rises in the distance, a testament to solid antebellum glory. Five chimney towers stretch toward the sky. The first time I saw the house I didnât even know what Greek Revival was. But I knew a mansion when I saw one. Knew Iâd be happy if they let me sleep on the porch.
A weed-filled front lawn and a sagging split-rail fence that looks like it hasnât been whitewashed in two decades frame the house. Its shutters have faded from a glossy black to a peeling gray. Tucker perks up on the seat. He puts his paws up on the dash and looks out the window. Cousin Georgia and Osborne make their way down the front steps as we pull into the