afternoon, Jack.”
He gasped, feeling as if the wind had been torn out of him.
“He was crossing La Cienega Boulevard and a van hit him. There was a witness who said it was black, and that the words WILD CHILD were written on the side, but that was . . . was all.”
Lily began to cry. A moment later, almost surprised, Jack began to cry as well. All of that had happened three days ago, and to Jack it seemed forever.
5
On September 15th, 1981, a boy named Jack Sawyer stood looking out at the steady water as he stood on an unmarked beach before a hotel that looked like a castle in a Sir Walter Scott novel. He wanted to cry but was unable to release his tears. He was surrounded by death, death made up half the world, there were no rainbows. The WILD CHILD van had subtracted Uncle Tommy from the world. Uncle Tommy, dead in L.A., too far from the east coast, where even a kid like Jack knew he really belonged. A man who felt he had to put on a tie before going out to get a roast beef sandwich at Arby’s had no business on the west coast at all.
His father was dead, Uncle Tommy was dead, his mother might be dying. He felt death here, too, at Arcadia Beach, where it spoke through telephones in Uncle Morgan’s voice. It was nothing as cheap or obvious as the melancholy feel of a resort in the off-season, where one kept stumbling over the Ghosts of Summers Past; it seemed to be in the texture of things, a smell on the ocean breeze. He was scared . . . and he had been scared for a long time. Being here, where it was so quiet, had only helped him to realize it—had helped him to realize that maybe Death had driven all the way up I-95 from New York, squinting out through cigarette smoke and asking him to find some bop on the car radio.
He could remember—vaguely—his father telling him that he was born with an old head, but his head didn’t feel old now. Right now, his head felt very young. Scared , he thought. I’m pretty damn scared. This is where the world ends, right?
Seagulls coursed the gray air overhead. The silence was as gray as the air—as deadly as the growing circles under her eyes.
6
When he had wandered into Funworld and met Lester Speedy Parker after he did not quite know how many days of numbly drifting through time, that passive feeling of being on hold had somehow left him. Lester Parker was a black man with crinkly gray hair and heavy lines cutting through his cheeks. He was utterly unremarkable now despite whatever he had accomplished in his earlier life as a travelling blues musician. Nor had he said anything particularly remarkable. Yet as soon as Jack had walked aimlessly into Funworld’s game arcade and met Speedy’s pale eyes he felt all the fuzziness leave him. He had become himself again. It was as if a magical current had passed directly from the old man into Jack. Speedy had smiled at him and said, “Well, it looks like I got me some company. Little travellin man just walked in.”
It was true, he was not on hold anymore: just an instant before, he had seemed to be wrapped in wet wool and cotton candy, and now he was set free. A silvery nimbus seemed to play about the old man for an instant, a little aureole of light which disappeared as soon as Jack blinked. For the first time Jack saw that the man was holding the handle of a wide heavy push-broom.
“You okay, son?” The handyman put one hand in the small of his back, and stretched backward. “The world just get worse, or did she get better?”
“Uh, better,” Jack said.
“Then you come to the right place, I’d say. What do they call you?”
Little travellin man, Speedy had said that first day, ole Travellin Jack. He had leaned his tall angular body against the Skee-Ball machine and wrapped his arms around the broom-handle as though it were a girl at a dance. The man you see here is Lester Speedy Parker, formerly a travellin man hisself, son, hee hee—oh yeah, Speedy knew the road, he knew all the roads, way back in the old
J.A. Konrath, Bernard Schaffer