interrogations before, though not often. They follow a logical sequence. If a person holds out to the point where one risks losing him without a result, it becomes more effective to transfer one’s attention to someone else, someone with whom one’s subject has a bond—the husband or wife, a child, an aged parent.There is a weak chink of that kind in the strongest armor. But this old woman has no family. She’s lived by herself in the woods for years.
He sighs. His hands are filthy. It will take vigorous scrubbing to get the blood out from under the nails.The crone’s breathing is a squeaking rustle, another irritant. He doesn’t look at her; such disorder offends his eye. And now Aislinn is coming back, he can hear her at the door.
“Are you done, my lord?” the girl asks politely, coming in and locking the door after her. She is thorough as always; he has trained her well.
“I haven’t got a thing.” There’s no need to pretend with Aislinn. She knows everything about him, to the extent that a simple village girl can understand a mind like his, a mind that soars above those of ordinary folk like a great eagle above the creeping, crawling creatures of the earth. His thoughts reach for the high, the impossible, the stuff of dreams and visions. “I don’t want to kill the witch before she’s given me the answer—I can’t understand why she would hold it back, she’s near death anyway, why take such valuable information to the grave?”
“I have something that may help,”Aislinn offers unexpectedly, her tone sweet.“I went back to her cottage after I gathered the herbs I needed. And I found this.” She holds up a bundle, and the woman strapped onto the table lets out a hissing sound, her reddened eyes rolling towards what the girl is carrying.
“Ah!” His breath comes out in a rush of triumph. He takes the little dog from Aislinn and carries it over to the tabletop, close to the woman, so she can see. A warmth floods through his body, the anticipation of success. “Aislinn, you may go out if you wish.”
“I’ll stay and watch, Lord Nechtan.”
The creature in his hands is quite small. It is not yet frightened—it has recognized its mistress and is straining to get close enough to lick her face. “I think we may be ready to talk,” says the chieftain of Whistling Tor. And when the woman replies only with a moan of horror, he gets out his thin-bladed knife, weighing it casually in his free hand.“I’m an artist at this. Watch me and learn.”
When it is over, he disposes of the debris while Aislinn cleans. The crone was all too ready to gasp out the names of the ingredients once he began to work on her creature. Aislinn has written them down in her little book, precise by measure, each in its turn. There was just time to get the last. Now he and the girl are the only living beings in the subterranean chamber, save things that scuttle and crawl in the corners and rustle in the walls. Not many of those: Aislinn keeps it spotless.
He watches her now as she scrubs the table.What a difference a year or two can make. Aislinn was a child when she first came to his notice; he did not expect a serving girl to show such intense interest in the maps and charts spread out in the chamber whose floor she was sweeping. He did not expect the orphaned daughter of humble villagers to be such a quick learner, thirsty to master reading, writing and numbers, then move into more esoteric branches of study. His protégé has been clever, eager to please and a great deal more patient than he is, which makes her an invaluable assistant. Time has passed, and Aislinn is no longer a child. Her hair is a fall of liquid gold; her pert buttocks move to and fro as she swings the brush. He’s suddenly hard for her, desire thrumming in his blood. No doubt she would be as quick to learn the arts of the bedchamber as she’s been with sorcery, and what pleasure he would take in the teaching.
But no. He cannot allow himself