itâs gone out of business. Forever. The people that make it run have up and abandoned it.
LOUIS (Looking at the building) : Creepy.
JOE : Well yes but. I felt that I was going to scream. Not because it was creepy, but because the emptiness felt so fast .
     And . . . well, good. A . . . happy scream.
     I just wondered what a thing it would be . . . if overnight everything you owe anything to, justice, or love, had really gone away. Free.
     It would be . . . heartless terror. Yes. Terrible, and . . .
     Very great. To shed your skin, every old skin, one by one and then walk away, unencumbered, into the morning.
     (Pause. He looks at the building, then down)
     I canât go in there today.
LOUIS : Then donât.
JOE : I canât go in, I need . . .
     (He looks for what he needs. He takes a swig of Pepto-Bismol)
     I canât be this anymore. I need . . . a change, I should just . . .
LOUIS : Want some company? For whatever?
(A possibility of sex still hangs in the air.)
LOUIS : Sometimes, even if it scares you to death, you have to be willing to break the law. Know what I mean?
(Little pause.)
JOE : Yes.
LOUIS (A beat, then) : I moved out. I moved out on my . . .
(Little pause; Louis looks down. The sexual possibility disappears.)
LOUIS : I havenât been sleeping well.
JOE : Me neither.
(Louis licks his napkin and goes up to Joe. He dabs at Joeâs upper lip.)
LOUIS : Antacid moustache.
(Louis starts to walk away, then stops and stares at the courthouse. Not looking at Joe:)
LOUIS : Maybe the court wonât convene. Ever again. Maybe we are free. To do whatever.
     Children of the new morning, criminal minds. Selfish and greedy and loveless and blind. Reaganâs children.
     (Looking at Joe) Youâre scared. So am I. Everybody is in the land of the free.
(Louis turns and leaves. As heâs exiting:)
LOUIS : God help us all.
Scene 8
Late that night. Joe at a payphone calling Hannah at home in Salt Lake City. Joeâs a little drunk .
JOE : Mom?
HANNAH : Joe?
JOE : Hi.
HANNAH : Youâre calling from the street. Itâs . . . it must be four in the morning. Whatâs happened?
JOE : Nothing, nothing, Iâ
HANNAH : Itâs Harper. Is Harperâ
     Joe?
     Joe?
JOE : Yeah, hi. No, Harperâs fine. Well, no, sheâs . . . (He finds this slightly funny) not fine.
     (With a grin) How are you, Mom?
HANNAH : Whatâs happened?
JOE : I just wanted to talk to you. I, uh, wanted to try something out on you.
HANNAH : Joe, you havenâtâ Have you been drinking, Joe?
JOE (A bigger grin) : Yes, maâam. Iâm drunk.
HANNAH : That isnât like you.
JOE : No. I meanâ (Again, finding this a little funny) Whoâs to say?
HANNAH : Why are you out on the street at four A.M. ? In that crazy city. Itâs dangerous.
JOE : Actually, Mom, Iâm not on the street. Iâm near the boathouse in the park.
HANNAH : What park?
JOE : Central Park.
HANNAH : CENTRAL PARK! Oh my Lord. What on earth are you doing in Central Park at this time of night? Are youâ
     (Very stern) Joe, I think you ought to go home right now. Call me from home.
(Little pause.)
HANNAH : Joe?
JOE : I come here to watch, Mom. Sometimes. Just to watch.
HANNAH : Watch what? Whatâs there to watch at four in theâ
JOE : Mom, did Dad love me?
HANNAH : What?
JOE : Did he?
HANNAH : You ought to go home and call from there.
JOE : Answer.
HANNAH : Oh now really. This is maudlin. I donât like this conversation.
JOE : Yeah, well, it gets worse from here on.
(Pause.)
HANNAH : Joe?
JOE : Mom. Momma. Iâm a homosexual, Momma.
     (He lowers the receiver and