The Sarantine Mosaic

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Authors: Guy Gavriel Kay
himself see the colours. To think about them, how they played against each other and with each other; to consider what happened when a cloud crossed the sun—as now—and the grass darkened beneath him. What would he name that hue in his mind? How would he use it? In a marinescape? A hunting scene? A mosaic of Heladikos rising above an autumn forest towards the sun? Look at the grass—now!—before the light returned. Picture that colour in glass and stone tesserae. Embed it in memory, so you could embed it in lime and make a mosaic world on a wall or a dome.
    Assuming, of course, there ever emerged a glassworks again in conquered Batiara where they made reds and blues and greens worthy of a name, instead of the muddied, bubbled, streaked excrescences they’d received in the morning shipment from Rhodias.
    Martinian, a calm man and perhaps prepared for this, had only sighed when the urgently awaited sheets of new glass were unwrapped. Crispin had foamed into one ofhis notorious, blasphemous rages and smashed the topmost dirty brown sheet of what was supposed to be red, cutting one hand. ‘ This is red! Not that dungheap colour!’ he had shouted, letting drops of his blood fall on the brownish sheet.
    He could be entertaining in his fury, actually, unless you happened to be the one who had given him cause to lose his temper. When they had their beer and crusts of bread at lunch, or walking back towards Varena’s walls at sunset after work, the labourers and apprentices would trade stories of things Crispin had said and done when angry. Martinian had told the apprentices that Crispin was brilliant and a great man; Pardos wondered if a temper came with that.
    He’d had some shockingly inventive ideas this morning for how to deal with the glassworks steward. Pardos himself would never have been able to even conceive of broken shards being inserted and applied in the ways Crispin had proposed, swearing violently even though they were on consecrated ground.
    Martinian, ignoring his younger partner, had set about accepting and discarding sheets, eyeing them with care, sighing now and again. They simply couldn’t reject them all. For one thing, there was little chance of better quality in replacements. For another, they were working against time, with a formal re-burial and a ceremony for King Hildric planned by his daughter the queen for the first day after the Dykania Festival. It would take place here in the newly expanded sanctuary they were decorating now. It was already mid-autumn, the grapes harvested. The roads south were muddy after last week’s rains. The chances of getting new glass sent up from Rhodias in time were too slim even to be considered.
    Martinian was, as usual, visibly resigned to the situation. They would have to make do. Pardos knew thatCrispin was as aware of this as his partner. He just had his temper. And getting things right mattered to him. Perhaps too much so, in the imperfect world Jad had made as his mortal children’s dwelling place. Pardos the apprentice made a quick sign of the sun disk again and stoked the kiln, keeping it as hot as he could. He stirred the mixture inside with a long shovel. This would not be a good day to become distracted and let the setting lime emerge faulty.
    Crispin had imaginative uses for broken glass on his mind.
    So attentive was he to the lime mixture cooking in the oven that Pardos actually jumped when a voice— speaking awkwardly accented Rhodian—addressed him. He turned quickly, and saw a lean, red-faced man in the grey and white colours of the Imperial Post. The courier’s horse grazed behind him near the gate. Belatedly, Pardos became aware that the other apprentices and labourers working outside the sanctuary had stopped and were looking over this way. Imperial Couriers from Sarantium did not appear in their midst with any frequency at all.
    â€˜Are you hard of hearing?’ the man said waspishly. He

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