weirdly blotched with the underlying leaves, like bruises.
âOf course I know. I keep saying only a disgusting person could say such things and then she says he isnât a disgusting person. I
ask
you.â
Laurence looked over his shoulder to where Steve, nineteen, and Kevin, eighteen, were chopping vegetables.
âIf she agrees that Fergus is a disgusting person,â he said levelly, âthen logically she then has to entertain thepossibility that sheâs wasted the last twenty years.â
âHeavens,â Hilary said, thumping the clipboard she had clasped against her. âI mean,
heavens.
Why should Gina think thereâs anything novel in that, for Godâs sake? Donât we all think that? Why should that be Ginaâs prerogative?â
Laurence put the point of his knife into the wooden board under the chickens and pressed hard. He counted to five. Then another five. Then he said, as he was wont to do, in a voice that attempted to ignore the last thing Hilary had said, âIâll talk to Gina.â
âWhat about?â
âHer state of mind. Getting some help.â
âGood,â Hilary said. She wanted to say, âThank you,â but somehow couldnât. Instead, she put out a hand and touched one of Laurenceâs.
He said, âPerhaps we donât know about grief?â
âDonât we?â
âNo. We only know about disappointment.â
âYes,â Hilary said. She left her mouth open to say she thought she was becoming quite an expert at that, but closed it again. She felt, obscurely, that some kind of mitigating apology was called for so she said, clumsily, âThe bloody water tank didnât help.â
âNo. Hil, I have to get onââ
âI know, I know. But itâs so difficult to talk when the hotelâs so busy and Ginaâs here.â
âIâve said Iâll do something about that, Iâve
said
ââ
âAll right, all right, I know.â She pushed her spectacles up her nose, red-rimmed spectacles that gave her, somehow, the look of a fierce imperious bird. âJust tell me one thing.â
âWhatââ
âWhat do you think are the ultimate obligations of friendship?â
Laurence looked at her.
âI donât know,â he said. âIâve never tested them before.â
Gina woke to the sound of boys in the kitchen. The fridge door banged a lot and there was guffawing and a smell of toast. She hated sleep these days almost as much as she hated wakefulness. Sleep seemed, just now, either miserably elusive, or drugged and full of hideous dreams from which she struggled to consciousness feeling sick and dazed. It didnât much matter where she was except that waking here, in The Bee House, was easier, knowing that the building below her was full of people and ordinariness. She craved ordinariness at the moment. She looked at the holidaymakers in The Bee House, setting off for modest days out in their specially bought casual holiday clothes, clutching maps and mackintoshes, and envied them with the kind of hopeless jealousy usually reserved for princesses and movie stars.
She rolled over on to her back and stared at the sloping ceiling. She felt, at this precise moment, just desperately sad, sodden with sadness. Yet she knew the sadness wouldnât last but would drop down into depression or guilt, or might go quite the other way and rear up into a violent disbelieving anger and intense desire for revenge. She had tried to explain this to Hilary, this helpless feeling of being bound upon a wheel of conflicting emotions which spun for a while and then threw her off, without warning, into numbness again, where she lay, beached and disabled by Fergusâs going. Hilary had said, âI expect thatâs normal.â
âNormal?
Normal
, to be numb?â
âIn a situation like yours, I mean. I suppose itâs a sort of instinctive