stop myself, âmy momâs going to take us all out to celebrate.â Nobody misses a beat.
âCool,â China goes.
âIâm ordering steak,â Ebony goes.
Ms. Giles unscrews a mayonnaise jar and says, ââHope, caught under the jarâs rim, crawls like a golden fly.ââ
âMom!â Ebony moans, reaching up into the freezer to grab some ice.
âWhat does she mean?â I ask.
âDream on,â China translates for me, and then Ebonyâs mom grabs Ebonyâs wrist.
âWhat is this?â
âNothing,â Ebony says, pulling away.
Her mother glares at me and China. âWhat is that?â
China shrugs, while I blush. Sometimes I hate being white.
âCat scratch,â Ebony says, smooth as a pearl.
âThen why is Graceâs face so red?â
âIâm hot,â I say quickly. I try to catch a glimpse of that wrist to make sure it still has only two scratches. Ebonyâs covering it up with her palm.
âYou. Children. Are not starting that tattoo nonsense in this house,â Ms. Giles says, pointing three fingers hard at all of us. âDo you understand me!â
Then she glances over at the kitchen clock and grabs her coat.
âI mean it,â she warns, smacking Ebonyâs head lightly with her palm on the way out.
A few minutes after she leaves, when Ebonyâs taking a chomp out of her sandwich, I see four more scratches. Fine and thin, like dark hairs. I kick China, who glances over to check things out for herself. Ebony notices us looking and shakes her head at China.
âDonât you dare tell her,â she says.
âYou promised,â China accuses.
âYou going to be a bitch?â Ebony asks.
âSheâs being a friend, bitch,â I snap.
âBoth of yâall can leave then,â Ebony says. She says it quiet.
âIâm not going anywhere,â China goes.
âMy call isnât until three-thirty,â I remind Ebony.
âLeave,â Ebony orders us.
We sit there through every last crumb, and nobody remembers to wish me luck when itâs time to go.
*Â Â *Â Â *
In the waiting area my mother puts on a good show. She keeps her arm around my shoulders and plays with my hair. She wants people to think weâre really close.
âItâs our first call,â she gushes to the receptionist. I want to kill her.
There are about three million other girls there, all in white shirts except a few, who look completely embarrassed. One of them is slinking out the door when my mother and I get there. They all have long brown hair and are really pretty. A lot of them wear makeup. A lot of them are alone and look bored. One of them has a miniature television set. Sheâs watching Sally Jessy Raphael. She has the volume up pretty loud. All of them stare at me when I walk in.
âI was just wondering what the product is,â my mother says to the receptionist.
The receptionist shrugs. âGot me.â
âYouâd think theyâd let us know what the product is,â my mother says, looking around at some of the other mothers for support. Nobody bothers.
We wait and wait and wait. Sometimes a girl disappears down this long hallway and is gone for fifteen minutes. Other times a girl is back practically before she even left. By the time they call my name, there are only three or four of us left.
My mother walks fast. I have to work hard to keep up with her. The audition room isnât any big deal. It has wide windows and a wooden desk, and there are five people sitting in folding chairs along the wall. A man with a goatee like Walkerâs takes one look at me, stands up, and says, âSheâs the one.â
Itâs just like in the movies. I canât believe it. The others are nodding.
âWhatâs the product?â my mother asks.
âDonât you need me to walk or turn or anything?â I say. I know I should