was a genuine Jewish boy.
âWe used to act nuts on Adoption Day,â he said aloud. âWe didnât want to leave one another. Nobody ever took any of us home, from our group.â
âThere are only twelve boys left, without me,â Danny said. âWe havenât had a new boy for over two years.â
Mr. Mittleman turned to Danny. âTell me,â he said. âJust from looking at me, how much money would you say Iâm worth?â
âThe very young kids got taken fast,â Charlie went on, âbut once you got past five or six you were safe.â
âPoor boys,â Mrs. Mittleman said.
Charlie shook his head and smiled at Danny. âNo,â he said. âThatâs where youâre wrong. We loved it there. You know what Murray always saysâthe Home ruined all of us for life in the world. We had everything we needed back there, is his theoryâall the things families donât give to people anymore.â
âIâm not worth anything,â Mr. Mittleman said to Danny.
A small girl ran across the screen, chasing bubbles. âDonât believe everything Max tells you,â Charlie said to Danny.
Danny smiled. I wish Charlie was the father of Murrayâs children, he thought.
On the screen the camera zoomed in on Oscarâs father. He was sitting on a wooden chair, sideways, showing no interest in his grandson. Danny recognized him as having the face of the young man who had thrown the boy toward the ceiling. He was very old and he wore round silver sunglasses and a khaki windbreaker. The collar was turned up and buttoned across his throat. On one side of his neck there was a bulge of skinâa goiter like a hand grenadeâand Danny gagged on his milk, felt some of it come through his nose.
âHe looks like death,â Mrs. Mittleman said. âI asked you not to take his picture.â She handed Danny another napkin and left the room.
âHereâs your answer,â Mr. Mittleman said. âIâm not worth anything until I sell.â
Charlie imagined a movie about the Home, with Sol going around the country to see all his old boys. The movie could tell the story of his last trip. Charlie saw Sol calling each of his boys, but they all gave excuses. There would be flashbacks to the boys when theyâd been kids at the Home, and when theyâd been starting out in life with their families and jobs and Sol had helped them.
Charlie imagined the film playing in theaters, with the proceeds going to save the Home. There could be a kid in the movie with a camera who turned out to be the guy who decided to make the movie about the Home in order to raise the funds to save it. But Jerry the waiter would be the only one who would agree to see Sol. The flashbacks and cross-country scenes and scenes of the Home could alternate with the nine races at Hialeah, and at the end of the ninth raceâCharlie leaned forwardâwhen Sol and Jerry were laughing at what a good time theyâd had, and in the middle of a big crowd pressing to the payoff windows, Sol would be struck down with a heart attack.
âWhat?â Charlie said, aloud, and he stood. The camera was moving up and away and Charlie couldnât find Solâs face in the crowd. He stood next to Danny and touched the boyâs hair, lightly.
âThe boy thinks youâre special,â Mr. Mittleman said. âYou shouldnât disappoint him.â
The lights were on and Danny felt dizzy. He remembered how good he had felt on the hill a few hours before, when things were beginning. âI told you to come have your chicken,â Mrs. Mittleman said. âItâs warm.â Mr. Mittleman unhooked the screen, then put the projector away in a closet and told Charlie he was going back to work. When he was gone Mrs. Mittleman sighed and said heâd be up all night. She asked Charlie what she should do about him.
When Danny opened his eyes he heard