a quick nod. She seemed appreciative, not as if sheâd given in. âThatâd be nice.â
They went into the kitchen, and when the light hit her full in the face, Andrew saw just how pale and shaken she was. A spill in an old, dark cellar would throw anyone off, but he suspected there was more. A ghost, perhaps. Tess Haviland didnât strike him as someone whoâd want to admit sheâd turned shadows into a ghost and screamed bloody murder. Sheâd probably rather there was a real ghost instead of something sheâd conjured up.
She withdrew a cell phone from the pocket of her warm-up pants and placed it on the counter, her hand shaking visibly, even if at this point just from adrenaline. She limped silently into the bathroom. She left the door open, and Andrew heard water running and a string of muttered curses. Whatever else, she had guts. Damned if heâd go into that cellar in the dark after a cat.
He used her shiny camp pot and put water on for her tea. âMind if I use your phone? I should call Harl, tell him whatâs going on before he calls in the troops.â
âOf course. Please.â
She emerged from the bathroom. Her face was scrubbed, her hair pushed back and wet. Some color had returned to her cheeks. And her eyes, Andrew saw, seemed even a bit brighter.
âI imagine your fantasies of owning a nineteenth-century carriage house didnât include washing cobwebs off your face.â
âIâm not sure I had any fantasies about this place. I guess Ike thought he was doing me a favor. Go ahead, call Harl.â
But Andrew was staring at her. âIke?â
She sighed. âI assumed you knewâbecause you live next door, I suppose. I did some work for the Beacon Historic Project early last year and the year before. Ike hired me. Iâm a graphic designer in Boston. He transferred the carriage house to me as payment. Maybe it was a whim, I donât know. He took off right afterward, and I havenât heard from him.â She leaned against a counter, as if to steady herself. âBut go ahead and call Harl, if heâll be worried.â
Andrew dialed his number. Harl didnât wait for him to speak. âAll clear?â
âYeah. She fell in the cellar chasing Tippy Tail.â
âDamn cat,â Harl said, and hung up.
âThat was quick,â Tess said.
âHarl hates phones.â
The water came to a boil, and Andrew poured it into a mug, dangled in a strong-smelling chamomile tea bag and handed the tea to Tess. âYou sure youâre okay?â
âYes.â She smiled over the rim of the steaming mug, the heat adding color to her cheeks. âThanks.â
He glanced at the camp sheâd set up. Even with her lilacs in a mason jar, it looked rough. âLook, Iâve got a couple of spare bedrooms at the house. If youâre injured, you donât want to spend the night on the cold floor.â
âThanks, but Iâll manage. To be honest, I havenât decided if Iâm going to keep this place. Thatâs why Iâm up here for the weekend, seeing if being here will help me make up my mind.â
âSorry itâs meant chasing after a cat. Tippy Tailâs a stray we took inâsheâs temperamental. If she comes home tonight, Iâll try to lock her inside.â
Tess rallied, managing a quick smile. âItâs okay. I live in a basement apartment in the city. You should see what walks past my windows.â
She sipped her tea, looking calmer, but tired. Andrew decided the scrape on her jaw was superficial, and if the hit she took to her side wasnât, she hadnât asked him to do anything about it.
âIâll leave you to your tea.â He went over to her sleeping bag, picked up a book she was reading and a pen next to it. He noticed the portable white-noise machine and smiled; maybe Tess Haviland was more worried about ghosts in the night than she was
Dean Wesley Smith, Kristine Kathryn Rusch
Martin A. Lee, Bruce Shlain