gave us two days ago.
After crossing the railroad tracks I stop at a convenience store. The shriveled hot dogs smell good and Iâm tempted to buy one, but then I notice the grime on the rack beneath them. A burly man picks one off the rack and I see that same grime on the underside of the hot dog. So I buy a Gatorade and guzzle it, then make my way up a hill toward the outskirts of Wellington. Each step brings me closer to Willow Way and also closer to a panic-induced stomachache.
How will Halle feel about me looking up her address and coming to her house? Will she think Iâm stalking her? I realize I have no idea how sheâll react. The uncertainty slows my footsteps. Maybe I should turn around and go home. Maybe I should call her first.
I look up at the street sign in front of me. Willow Way. I turn and follow the narrow, curvy road of spacious brick homes that are three times the size of our townhome. They sweep out and down across a rolling hill. Iâve seen big homes before, but not in this town. Are all of them owned by executives at the plant?
At 3:50 I stand in front of Halleâs house. One word describes it: colossal. It has turrets on each side and rounded windows. The lawn is meticulously landscaped with maple trees and bushes with satiny leaves that look as though theyâve been polished, unlike our house, which has an ash tree in front and a single rosebush in the back. A rounded driveway leads to the house, which backs up to a small lake. Behind her house I see a distant dock extending out from the sloping shoreline.
Sheâs so out of my league. But even though I know itâs true, I donât want to blow my shot at her, even if itâs a slim shot at best. Part of me wants to leave. The other part insists on staying to find out if Halle is okay. On the side of the house are huge ground-floor windows, ones that I might see into if I walk past. Maybe I can get a glimpse of Halle and I wonât have to knock on her door and come up with an explanation as to why Iâm here.
My shoes leave footprints in the short grass. I try to look casual, not like a Peeping Tom, which is what I feel like. Knee-high bushes frame the windows. In between is a planting of flowers. I sneak around the edge of the bushes. My heart pounds with the thought of catching a glimpse of her, like a breath of air to hold me until tomorrow. My inner critic goes into overdrive: this is dangerous, maybe even creepy. But I donât feel like a pervert; I feel like a concerned friend. The driving force that brought me here is the result of eleven years of remembering Halle, of missing her in my life. I just have to know sheâs okay.
I pass two windows that are covered by blinds. I peek around the corner of the third window into a room that radiates opulence with its mahogany furniture and stone-carved fireplace. As luck would have it, Halle is there, sitting on an oversized chair. Her head is down and sheâs reading something. I canât tell what.
âHalle,â a voice calls. She looks up.
âIn here.â
A man enters the room. His eyes are bright like Halleâs, but they hold more intensity.
âIâm leaving for a meeting. Donât forget to load the dishwasher.â His voice is condescending, like sheâs ten instead of fifteen. He sounds like hot furnace air, and his voice crowds the room.
âIâm not going to stop protesting. Neither are my friends.â
âYou donât tell me what youâre going to do, young lady.â
âHe was my grandpa,â she yells, and there are tears in her voice. âHe was your dad. How can you not care?â
Her father shakes his head and rubs his forehead. âI donât have time for this.â He turns and leaves.
Her shoulders are shaking. She throws her book down. Itâs Gatsby.
The garage door opens. I turn and catch my right foot on the bush. My body flies back onto the flowers, flattening
Dean Wesley Smith, Kristine Kathryn Rusch
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