Jesse.â
I glance up at Jesse, curious. âAre you just being funny, or do you really not know Brian? Heâs in your momâs theatre class with me.â
He doesnât laugh. âJust because everyone at school knows who I am doesnât mean I know all of
them
.â
If I knew him better, Iâd jam my elbow in his side for that.
âBut you sure know all the girls, donât you?â Brian sneers. âAnd youâve run through your options, so youâve moved on to the new girl.â
Now I want to elbow Brian. âWhat are you talking about? Nothingâsââ
âNice shoes,â Jesse scoffs, raising an eyebrow at Brianâs obnoxiously bright sneakers.
Behind Brian, a thick bolt of lightning pulses down from the sky, followed by an ear-splitting boom that makes me jump.
âThat hit something,â Jesse says, nudging my shoulder and leading me toward the house. âWe shouldnât be standing out here.â
Brianâs paper-sack umbrella droops and he runs ahead of us through the front yard, water sloshing up around his feet. By the time he makes it up the steps to the porch, the bottoms of his jeans are soaked.
I unlock the front door and turn to Jesse, whoâs still standing close to me with the umbrella over his head, even though weâre safe on the porch. I have to push back my movie-scene daydream. Heâs not going to burst into song and start splashing through puddles, no matter how much of a fantasy come true that would be.
Brian pushes open the door and steps inside, treads squeaking on the faux wood in the entryway.
âLet me go get a towel so you donât make tracks on my momâs new flooring. Iâd never hear the end of it.â I follow him in and hold the door open for Jesse. But heâs already halfway across the yard.
âThanks for the ride,â I call out over the rain.
Without looking back at me, he waves his free hand with a slow, careless flick of his wrist.
You just think youâre
so
cool.
I lock the door, though I briefly consider leaving it open like they would have in the olden days, back when it was improper to be in a room with a boy without a chaperone. And here I amriding home with one boy and locking myself in an empty house with another. I was born so far out of time.
âSo whyâs the Baseball King bringing you home?â Brian asks, one hand clutching the dampened script, the other shoved in his pocket.
âHe lives across the street.â I shrug indifferently as I walk through the house toward the laundry room to grab an old rag. âI donât have a car yet.â
âI donât live that far from here. I could bring you home after theatre from now on.â He takes the fraying towel from me and stares at it. âIf you want.â
Suddenly Iâm forced to look at him not just as an audition partner, but as a potential beau. Thatâs all it took: three sentences and shifty eyes, and everythingâs different. There might be interest tied up in this audition hoorah. Iâm not sure how I feel about that.
âThatâs okay. Thanks, though.â I leave him to dry off and make room for my backpack on the coffee table. âWhat part do you want to work on? Did you discuss a particular scene with Mrs. Morales for the audition?â
Brian slips out of his awful alien-green sneakers and joins me on the couch. Too close. âMaybe we should make sure we have chemistry first, like you said.â
âChemistry . . . right,â I carefully agree, scooting away from him while reaching for his script. âI know just the scene to test that. The one whereââ
âThatâs not what I mean.â Brian laughs, keeping a firm grip on the book and using it to pull my upper body closer. âWe have to test out the kissing.â
I catch a whiff of spearmint.
Youâve got to be joking
.
I pull my lips in and bite,
Dean Wesley Smith, Kristine Kathryn Rusch
Martin A. Lee, Bruce Shlain