to be just as charming as the smile with all the teeth. âYes. Aside from that.â
I sigh. âBeing outside. Walking with Mabel. Being near water with Mabel.â
He nods.
âAlso? Food.â
I know I should have said friends. Or going to see bands. Or sneaking out to drink beer. Something normal.
âWhat kind of food? Like, what would you eat if you could eat?â
Itâs like Thelma!
âIce cream sandwiches,â I say. âCrab cakes. Milk shakes.â So letâs just say this is all in the Candy Striping Handbook. I will still play along. My heart is already in it.
âVirginia is for crabs!â he says.
âActually, itâs lovers. Virginia is for lovers,â I say, slightly embarrassed by the word. Lovers. âMaryland is for crabs.â But I get it. The District is for cool kids, and the rest of us are suburban losers. I get it. The girls Connor knows are probably all blond and tan and easy in their skin. Everything slides over them; nothing sticks. Or they wear vintage dresses and have short black bangs and wear nose rings. Or they have big black glasses and speak seven languages and have just moved here from London because their parents are diplomats.
âDonât forget hot dogs,â says my roommate.
âHi, Thelma,â I say.
âHi, Thelma,â says Connor.
âWhat kind?â He uncrosses his legs and places his elbows on his knees. He is killing me. Verlaine stretches out, exposing his stomach, and I scratch him. âOf milk shake.â
âChocolate,â I say. Easy.
âI would miss strawberry,â he says.
âStrawberry!â I giggle. âVery pink.â
Connor laughs and sweeps his hairâit really is strawberry blondâout of his face. His hands. They are crooked and beat-up and eaten and soulful. They have feeling.
âBooks? Whatâs your favorite book? Like, what are you reading now?â
âI canât read in here. I mean, I just canât.â
âOkay then, what would you read if you could read, I mean?â
âHmmm,â I say. Wuthering Heights is on this swingy table over my bed, but I donât think he can see it. Thatâs some intense love in that book. Deadly. Haunting. Dark, dark love. Iâm not that far in, but I canât help but note that everything important happens when the characters are young. Itâs like all that matters. âI like lots of different stuff. Like Stephen King, and also The Handmaidâs Tale ,â is what I tell him.
âDonât know that,â Connor says,
âItâs about this cult society where this woman has to have sex every month until she gets pregnant.â
âLovely,â says Connor.
âYeah, itâs pretty dark. Okay, what else? Ray Bradbury. Fahrenheit 451 .â
âOh my God, I love that book!â Connor says. âI love Ray Bradbury. Stephen King is good. The Stand. â
My heart leaps. Iâve chosen correctly. âYeah, totally. The Stand. â
âHey, do you have any music here?â he asks.
I can hear the sound of Thelma fidgeting, as if to say, please, please donât play music in here. She clears her throat.
âWeâll be quiet!â he says to the curtain as he stands and grabs my iPod off its charger. âPromise!â
Connor knows everything.
I watch in horror as he scans through my iPod. Books are easier than music. To be right about, I mean. I have some pretty lame stuff on there. Like, âHey There, Delilah,â which I love, by theway. Iâve got Kelly Clarkson! Kind of as a joke; kind of serious. But thankfully, Tim loaded it up with at least some good music before I went to camp, stuff he knows I love. He put on other women singer-songwriters, mostly Brits, and I think itâs because he knows I love Birdy and he must have listened to Birdy Radio on Pandora. Gabrielle Aplin, Emeli Sandé, Jasmine Thompson. Which, now