Free Kaspar and Other Plays by Peter Handke Page B

speak.
    X
    Kaspar walks toward a chair. He tries to walk straight ahead even though the chair is in his way. While walking, he shoves the chair ahead in front of him. Still walking, he becomes entangled in the chair. Still walking, he tries to disentangle himself from the chair. At first he becomes more and more dangerously entwined in it, but then, as he is about to surrender to the chair, he becomes free of it just because he was about to give in. He gives the chair a kick, so that it flies off and falls over. After regarding it for a moment: I want to be a person like somebody else was once.
With the sentence you can pretend to be dumfounded. Assert yourself with the sentence against other sentences. Name everything that comes in your way and move it out of your way. Familiarize yourself with all objects. Make all objects into a sentence with the sentence. You can make all objects into your sentence. With this sentence, all objects belong to you. With this sentence, all objects are yours.
    XI
    Kaspar walks toward the small table. The table has three legs. Kaspar lifts the table with one hand and yanks with the other hand on one leg but is unable to pull it out. He turns the leg, first in the wrong direction. He turns it in the right direction and unscrews the leg. He is still holding the table with the other hand. He slowly withdraws the hand. The table rests on his fingertips. He withdraws his fingertips. The table topples over. After regarding it for a moment: I want to be a person like somebody else was once.
To put up resistance. A sentence to divert you. A sentence with which you can tell yourself a story. You have a sentence which gives you something to chew on when you are hungry. A sentence with which you can pretend you are crazy: with which you can go crazy. A sentence to be crazy with: for remaining crazy. You have a sentence with which you can begin to take notice of yourself: with which you can draw attention away from yourself. A sentence to take a walk with. To stumble over. To come to a halt with in mid-sentence. To count steps with.
    XII
    Kaspar walks toward the rocking chair. He walks around it. He touches it as though unintentionally. The chair begins to rock, Kaspar takes a step back. The chair continues to rock. Kaspar takes one step farther back. The rocking chair stops moving. Kaspar takes two steps toward the chair and nudges it with his foot, making it move slightly. When the chair is rocking, he uses his hand to make it rock more. When the chair is rocking more strongly, he uses his foot to make it rock even more. When the rocking chair is rocking even more strongly, he gives it an even stronger shove with his hand, so the rocking chair is now rocking dangerously. He gives it one more kick with his foot. Then, as the rocking chair is about to tip over, though it is still not quite certain whether it will fall or go on rocking, he gives it a little shove with his hand which suffices to tip it over. Kaspar runs off from the turned-over chair. Then he returns, step by step. After regarding it for a moment: I want to be a person like somebody else was once.
You have a sentence you can speak from beginning to end and from end to beginning. You have a sentence to say yes and say nay with. You have a sentence to deny with. You have a sentence with which you can make yourself tired or awake. You have a sentence to blindfold yourself with. You have a sentence to bring order into every disorder: with which you can designate every disorder in comparison to another disorder as a comparative order: with which you can declare every disorder an order: can bring yourself into order: can deny every disorder. You have a sentence of which you can make a model for yourself. You have a sentence you can place between yourself and everything else. You are the lucky owner of a sentence which will make every impossible order possible for you and make every possible and real disorder impossible for you: which will exorcise