woman was pointing at their car and gesturing with her other hand as she tried to cross the intersection. "She's telling us to go left twice and come back," Ellen guessed.
"You don't think her idea of fun could be misdirecting strangers."
When they managed to return to the crossroads the young woman was still there. She ran to the car as it turned right. She was wearing a moss-green suit, green tights and dark green shoes, and struck Ellen as altogether pixie-like, even her smile which was disproportionately wide for her small triangular face. "I didn't think there could be many families with children cruising through Soho. If I'd known you were coming by car I'd have given you better directions."
"We thought driving would be cheaper than training it," Ben said.
"Let me show you our car park and then we'll eat. You kids must be starving." She jogged beside the car as it coasted down the ramp beneath the Firebrand building. "I'm Kerys Thorn, as if you didn't know," she said when the Sterlings piled out of the vehicle. "It's really ace to meet you two at last after so much talking on the phone. How does Italian food for lunch sound? Slurp, slurp, if it's spaghetti, would you say, kids?"
Johnny giggled. "Sounds like him eating most things," Margaret said.
"You should hear me eating Chinese soup, Margaret," Kerys said.
"My name's really Margery."
"Do your mum and dad know?"
"We're kept informed of changes," Ellen said, and gave Margaret a kiss when the girl frowned at her.
Kerys led the Sterlings into the dull January daylight and through a confusion of streets to the restaurant, racing Johnny to it when they reached the block where it stood. A fat waiter who looked ready to burst into song ushered the party to their table as soon as he saw Kerys and brought them a bottle of Krug. "Here's to a bestseller. Success and long lives to us all," she proposed, and nudged Johnny when he made a face at the taste of his token glassful while Margaret demurely sipped hers. "We have to drink this stuff because we're grownups," she told him and helped him read the menu, which was half as tall as he was. When he remarked loudly on the prices before Ellen could hush him, Kerys nudged him again. "Ember's paying. You have whatever your mum and dad say you can have," she murmured in his ear, and Ellen found herself growing increasingly fond of her.
Once the waiter had taken their orders, Kerys produced a notepad from her handbag. "Kids, I'm going to ask your brilliant parents about themselves so I can tell our publicity department what to say about them but if you've any extra ideas, just shout. Who do I start with? Do you write the books around Ellen's pictures, Ben? What was it you said, Ellen, about each taking half the year?"
"Ben writes the book in the autumn and winter and then I illustrate it in the spring and summer when the light's better and the children are at school."
"Was Ben already writing when you met?"
"Not until years after we were married. I managed to persuade him to write down some of the stories he used to tell the children, and you took some persuading, didn't you, Ben?"
"Some."
"Don't worry, Ben, we'll let you talk," Kerys assured him. "We'll want everyone to hear from both of you when we send you touring to promote your book. We'd have done that with your other books if I'd been with Ember then."
"We may have to go separately if it's when the children are at school," Ellen said.
"The one of you who stays at home could be the inspiration behind the other one. The media should go for that." Kerys sat back as their meal arrived and the waiter departed, blowing a kiss in appreciation of their choices. "I mean, if it's true. Do you think you'd be a writer if you hadn't met Ellen, Ben?"
"I don't think I'd be much of anything."
"Let me ask you the question I always like to ask writers. Where would you say your stories come from?"
Ben raised a portion of veal marsala to his lips, then laid it down on his plate.