bones and—get this, Moon-Eye get the picture—way out in eternity somewhere, on the far side of the sun, they’ll hang up a brass plaque with the image of your moon-eyed soul stamped on it. That’s about all. Years later some tired and dirty cowboy looking for a lost horse, some weary prospector looking for potash or beryllium will stumble up this way and come across your clean white rib cage, your immaculate skull, a few other bones….”
I stopped talking. I was tired. Would that sun never go down beyond the canyon wall? Wasn’t there a cloud in the whole state of Utah?
The horse stood motionless as a rock. He looked like part of that burnt-out landscape. He looked like the steed of Don Quixote carved out of wood by Giacometti. I could see the blue of the sky between his ribs, through the eyesockets of his skull. Dry, odorless, still and silent, he looked like the idea—without the substance—of a horse. Plato’s horse: pure horseness.
My brain and eyes ached, my limbs felt hollow, I had to breathe deliberately, making a conscious effort. The thought of the long walk back to my saddle pony, the long ride back to the pickup truck, made my heart sink. I didn’t want to move. So I’d wait too, wait for sundown before starting the march home, the
anabasis
in retreat. I glanced toward the sun. About four o’clock. Another hour before that sun would reach the rim of the canyon. I crawled back to the spotted shade of the juniper and waited.
We waited then, the horse and I, enduring the endless afternoon, the heartbreaking heat, and passed the time as best we could in one-sided conversation. I’d speak a sentence and wait about ten minutes for the next thought and speak again. Moon-Eye watched me all the time and made no move.
At last the sun touched the skyline, merged with it for a moment in a final explosive blaze of light and heat and sank out of sight. The shadow of the canyon wall advanced across the canyonfloor, included the horse, touched the rocks and brush on the far side. A wave of cooling relief like a breeze, like an actual movement of air, washed through the canyon. A rock wren sang, a few flies came out of hiding and droned around the juniper tree. I could almost see the leaves of the saltbush and blackbush relax a little, uncurling in the evening air.
I stood up and emerged from the shelter of the broken tree. Old Moon-Eye took a few steps away from me, stopped. Still watching. We faced each other across some fifty feet of sand and rock. No doubt for the last time. I tried to think of something suitable to say but my mouth was so dry, my tongue so stiff, my lips so dried-out and cracked, I could barely utter a word.
“You damned stupid harr….” I croaked, and gave it up.
Moon-Eye blinked his good eye once, twitched his hide and kept watching me as all around us, along the wash and on the canyon walls and in the air the desert birds and desert bugs resumed their inexplicable careers. A whiptail lizard scurried past my feet. A primrose opened its petals a few inches above the still-hot sand. Knees shaking, I stepped toward the horse, pulled the ropy hackamore out of my shirt—to Moon-Eye it must have looked as if I were pulling out my intestines—and threw the thing with all the strength I had left straight at him. It slithered over his back like a hairy snake, scaring him into a few quick steps. Again he stopped, the eye on me.
Enough. I turned my back on that horse and went to the canteen, picked it up. The water was almost too hot to drink but I drank it. Drank it all, except a few drops which I poured on my fingers and dabbed on my aching forehead. Refusing to look again at the spectre horse, I slung the canteen over my shoulder and started homeward, trudging over the clashing stones and through the sand down-canyon toward my pony and Salt Creek.
Once, twice, I thought I heard footsteps following me but when I looked back I saw nothing.
Havasu
O ne summer I started off to visit for