must forgive my silence. I didnât want to waste a single moment. Would you like to see the sketches?â
Lizzie walked over to the easel. Deverell had drawn her in intricate detail, his pencil shading each shadow and tendril of hair. The girl in the picture was at once more beautiful and more serious than what Lizzie saw in her mirror. Could her profile truly be so fine? Or had Deverell been kind? Her chin seemed less pointed, her nose not quite so long as she believed it. She smiled.
âAre you pleased?â
âTheyâre beautiful drawings. But I hardly recognize the girl in them; surely that girl is not me. She looks quite lovely.â
Deverell laughed. âHavenât I made a good likeness?â
Lizzie knew that she had said the wrong thingâsheâd insulted his work when she meant to do the opposite. âOh, I didnât mean to imply . . . I only meant that your drawings are so lovely, I fear myself a poor thing in comparison.â
âBut youâre wrong, Miss Siddal. Itâs my drawings that suffer by the comparison. Hasnât anyone ever told you that youâre beautiful? I fear myself hardly capable of doing you justice.â
Lizzie blushed and looked down, but Deverell gently raised her chin and held her eye for a long moment.
âIâm sure youâll try your best, Walter,â chimed in Mary, bustling over to the pair. âNow, we mustnât keep Miss Siddal any longer, or sheâll be too tired to sit for you tomorrow.â She put a gentle hand on Lizzieâs arm and led her back to the screen. âCome, dear. Iâll help you with your dress.â
âI leave you in competent hands,â Deverell called after them. âAnd I look forward to tomorrow.â
âAs do I,â Lizzie said, and it was the first time in as long as she could remember that she had something to which she could truly look forward.
Â
âGentlemen!â Deverell cried out, bursting through the door of Holman Huntâs studio. He slammed the door shut behind him, not noticing that the bang nearly upset a whole table of paints.
Holman Hunt was standing at his easel, and Dante Rossetti was sitting with his feet on a chair and his arms flung back behind his head, a barely begun canvas forgotten beside him. He waved a lazy greeting to Deverell.
âDeverell!â Hunt barked, glaring at the table of spilled paints. âWatch what youâre doing!â
âIâm sorry.â Deverell righted a few of the bottles and left the rest to lie where they were. He was humming to himself, and he seemed distracted as he walked to the window, flung open the shutters, and leaned out, inhaling deeply. Then he abruptly turned and collapsed into a chair next to Rossetti, leaving the window wide open and the cold air spilling in.
Hunt shut the window. âWhat on earth are you doing? Thereâs a cold wind.â
âIs there?â Deverell asked. âI suppose there is. I hadnât noticed.â
Rossetti and Hunt looked at each other with raised eyebrows.
âOut with it, then,â Hunt said. âYou look like the cat that got the cream.â
âDo I?â He stared dreamily around the studio. âI suppose that I have got the cream. You fellows wonât believe what a stupendously beautiful creature Iâve found. A stunner, Rossetti, a true stunner, as you would say. Sheâs like a queen, really. Nothing at all like the usual sort of girlâher features were made for painting, strong and true.â
Hunt rolled his eyes, but Rossetti looked interested. âDoes such a woman exist in London? Is she flesh and blood or goddess?â
âGoddess! A Phidian goddess, come to life,â Deverell declared to laughter from Hunt and Rossetti.
âWe were wondering where youâd gotten yourself off to,â Hunt said. âI havenât seen you around in weeks. Between you disappearing and Rossetti