been afraid of the bigger missions since sheâs been gone. You loved her. We all loved her, you know, in our own ways.â
Davenport rose to his feet and drew back as though to slap the manâs face. I was about to try to catch him when he extended his hand down toward the bed. They shook.
âI have nothing more to say,â said Davenport. âI trust I will meet you in the field again one day, Whiskey Bill. Godspeed.â
âThat day, I will finally best you.â
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I MUST HAVE APOLOGIZED a dozen times for having persuaded Davenport to take that trip to the asylumâI could hardly remember if it really had been a matter of my convincing him, but that was how he saw it and so it was fact. A few days passed. He had some business back at the Garrick Club and I received a message to go there. I found him in the same smoking room where we first met. He was sitting next to a well-known German printer, who excused himself to the card room.
âYour notebook, Fergins,â he said.
He snatched it out of my hands. Turning the pages furiously, he found the notes I took at Caterham. He held it out to a spot where there was a little more light than smoke.
âI do apologize for talking you into that awful place. You were right, I shouldnât have bothered you. I should have torn up Billâs letter when I received itâand burned it in the fire, too.â
âTry not to speak for a minute.â He hummed to himself. âDid you think there was any truth to what Whiskey Bill tried to sell us?â
âThat nonsense about Samoa, you mean?â The fact was, I would have preferred Davenport drop the whole matter. I did not like the glimmer I had noticed in his eye at the talk of Samoa. But I had to be honest. âSomething in his voiceâwell, I could not help but think that at least some of it rang true.â
Davenport showed my comment the respect of a slow nod. âIt was a ruse, a trap to send me on a wild goose chase far from here. The very fact that you believe it shows how well planned it was. The question remains this: Why would he want to do that? I want you to make inquiries into Stevenson so we can prove Billâs deceit. Meanwhile, I need fresh reports on Ruskin, Swinburne, Hardy, Tennyson, any author of esteem living or passing through London this season. Do you understand?â
âThen you do not believe what he said? Any of it?â
âLook around us.â Pen gestured around the room at the plush leather furniture and the large portraits hanging in rows around the walls. â Here is the environment of a man of literary eminence such as Robert Louis Stevenson. Somewhere that feels just dangerous enough to excite the imagination, but is actually as safe as could be. That is what a writer craves, and thatâs why when itâs time for writers to die, they die in their beds.â
âPerhaps Stevenson is the exception.â
âI told you, Whiskey Bill is neither insane nor dying. Everything that Judas-haired swindler says to us is a lie. He is using the fact we cannot prove where Stevenson is while he is out at sea in order to catch us in his web. Count on the fact that it will not work. But he might try again through other means, and I will be prepared. I suspect he wants to lure me out of London, at which point heâll leave the asylum and claim some prize for himself that is right under our noses, maybe having to do with Stevenson, maybe another litterateur of value with Stevenson a red herring to draw us away. The more elaborate his scheme, the more profit hidden behind it. I believe once we know why Bill dangled this before us, a lucrative mission will be revealed.â
He added something else to my assignment: âWatch Billâs activity in the asylum as closely as possible. When Bill is discharged, weâll know something is about to happen. For now, he speaks of seeing aviaries in
Christine Zolendz, Frankie Sutton, Okaycreations