at Maryâs serene marble head, at Jesusâs death-limp face.
âRachelâs been painting a lot,â Emily was saying. âOf course, I think sheâs a genius. Maybe she takes after you.â
âAh. You mean she isnât painting a lot.â
âOh, Sarah. Maybe thatâs really what youâre doing with that Marty guy.â
âWhat?â
âNot painting.â
âWhat if I just really donât want to paint?â
âCome on.â
âMaybe thatâs what this summer is really about. Maybe painting isnât what Iâm supposed to be doing. Maybe thereâs some whole other thing I just havenât figured out yet.â She sat on the edge of her bed, feeling a little breathless.
âLike what?â
âOh, I donât know . . .â She flopped back on the bed, considered the ceiling. She reached, brushed away the annoying grains of sand tucked between her toes. âNever mind. Iâm just cranky. Iâm just tired. Hey, maybe I can hire a surrogate painter.â
âItâs just . . .â
âWhat?â
âYou always find something, you know? Some excuse.â
âWhat does that mean?â
âWell, like grad school. Chicago.â
She sat up. âThat wasnât a choice, Em. My dad had to have the bypass. I had to go home.â
âExactly. Go home. Thatâs what it sounded like then, when you told me. Not move home. Not stay home. Then he got through it just completely fine and next thing youâre telling me you got an apartment there, about the art store job, youâre all settled in. And Iâm thinking, âWait, what about Chicago?ââ
âBecause then my mom rear-ended that guy, and my dad still couldnât drive for months afterward. They needed help.â
âThey could have hired someone.â
âThey couldnât afford that. Not everybody can afford that, Em.â She hears her edge again, tries to soften her tone. âThey arenât hire-help people.â
âYou couldâve gone the next year. You could have. The Institute was going to hold your scholarship.â
She climbed off the bed. She paced.
âSarah?â
She approached her easel, studied her shell painting.
âThey really wanted you,â Emily continued. âYou chose not to go.â
A tiny sable hair was stuck in a stroke of black paint, like a wandering eyelash.
âI just worry about you. Youâve been doing this forever. Being so responsible for them. Trying to make up for Aaron. I get worried, I worry youâve allowed them toââ
âYou know, Emily,â and she was aware of the brusque tone again, the hard-hitting Em , but didnât care, âIâve been sort of busy, too, you know? I have a lot of stuff to deal with.â
âI know. I didnâtââ
âMaybe itâs not like having a bunch of kids and sheep running around and a big Martha Stewart estate to look after and which organic herbs to grow. But theyâre my parents , you know? Iâm their daughter. And youâre right, Iâm all they have left. So, what do you want me to do, abandon them in some old age home? Warehouse them, so I can go play?â
âThatâs not what Iâm saying. Iâm not talking about logistics.â
âThis is real life stuff. Real life problems. Itâs probably hard for you to understand, when you get total freedom to make all these great choices .â
There was silence, then a faint, milky baby gasp, then silence again.
âIâm sorry, Em. Really. That was obnoxious. That was my envious evil twin inner-demon talking.â
âItâs okay.â
âI get your point, really. They make me crazy. And I let them. Iâm three thousand miles away, and I still totally buy into it.â
âI know. Iâm sorry.â
âItâs like . . .â She started pacing again.