Free Destiny and Desire by Carlos Fuentes Page A

other companion, an entire forest, and one fine day a third animal appeared to throw into confusion a couple that in fact did not love each other. Was there hatred between my guardian and me? I suppose there was, if the perpetual dissimilarity of affections and sympathies determines an antagonism that moves people in conflict to do what they have to do only so the other, as soon as he is aware of what is going on, will occupy the adversarial position. If I complained or woke up in a bad mood, María Egipciaca lost no time in asking what is it? what’s wrong? what can I do for you? If, on the other hand, I woke brighter than the sun, she hurried to wield a poisoned rapier, it’s clear you don’t know what the day holds in store, have you thought about your assignments for today, why didn’t you finish them yesterday? now you’ll have more obligations and since you lack not only time but also talent, you won’t get anywhere: you’ll always be a
raté …
Where María Egipciaca had gotten this French word led me to wonder what kind of education my caretaker had received, since I never saw her reading a book, not even a newspaper. She didn’t go to the movies or the theater, though she did have the radio on day and night, until the day itself became a kind of annex to the programming of XEW, “The Voice of Latin America from Mexico.” That the poor woman learned something is evident because on the day, at the crack of dawn, that the nurse Elvira Ríos appeared, María Egipciaca remarked:
    “How silly. That’s the name of a bolero singer.”
    “Isn’t it just that you’re Del Río and she’s Ríos? Does that irritate you?”
    “From current to current, let’s see who drowns first.”
    The days preceding the arrival of the nurse were perhaps the worst of a confinement that previously, at least, had doors open to the street and school. Now, confined by doctor’s orders and waiting for the imminent arrival of the nurse, my “stepmother’s” manias were exacerbated to the point of cruelty. She found a thousand ways to make me feel useless. She prepared meals making so much noise it could be heard all through the house, she came up to my bedroom with the tray resounding like a marimba orchestra, she sighed like a tropical hurricane, deposited the meal outside my door with a groan of cardiac exertion, picked it up, came in without knocking as if she wanted to catch me at the solitary vice that, since the incident of my undershorts, had fixed her opinion of my impure person. If she didn’t drop the tray on my lap it was because her vocation of service would have obliged her to pick up and clean without asking me to do the same, since that would have denied María Egipciaca’s sacrificial function in this house where, however, all the dirt accumulated for seven days until the competent maid came in once a week, drew the curtains, opened the windows, aired out and let in the sun, washed and ironed, filled the dispensers for the necessities of the next few days, and left as she arrived, without saying a word, as if her work did not depend in any way on the apparent mistress of the house, María Egipciaca. On only one occasion did the cleaning woman speak to my caretaker to say:
    “I know a nurse is coming to take care of the boy. If you like, I’ll bring some flowers.”
    “There’s no need,” María Egipciaca replied severely. “Nobody died.”
    “It’s to cheer up this tomb a little,” the servant said in a bad humor and left.
    I must admit to those who survive that my taking to a sickbed made me very happy. I saw it as an opportunity first of all to devote myself to “the unpunished vice,” reading, and second, to oblige María Egipciaca to serve me with no pleasure, irritated, making an unnecessary racket but obliged, beyond any other consideration, to tend to me for reasons that had nothing to do with the affection orduty a mother owes her child, but merely to remain in the good graces of “the