story is known to every
Indian and is normally understood as a dispute between the Kouravas (descended from
Dhritarashtra) and the Pandavas (descended from Pandu). However, this is a distilled
version, which really begins with Shantanu. The non-distilled version takes us to
the roots of the genealogical tree and at several points along this tree we confront
a problem with impotence/sterility/death, resulting in offspring through a surrogate
father. Such sons were accepted in that day and age. Norwas
this a lunar dynasty problem alone. In the Ramayana, Dasharatha of the solar dynasty
also had an infertility problem, corrected through a sacrifice. To return to the
genealogical tree, the Pandavas won the Kurukshetra war. However, their five sons
through Droupadi were killed. So was Bhima’s son Ghatotkacha, fathered on
Hidimba. As was Arjuna’s son Abhimanyu, fathered on Subhadra.
Abhimanyu’s son Parikshit inherited the throne in Hastinapura, but was
killed by a serpent. Parikshit’s son was Janamejaya.
Krishna Dvaipayana Vedavyasa’s
powers of composition were remarkable. Having classified the Vedas, he composed the
Mahabharata in 100,000 shlokas or couplets. Today’s Mahabharata text
doesn’t have that many shlokas, even if the Hari Vamsha (regarded as the
epilogue to the Mahabharata) is included. One reaches around 90,000 shlokas. That
too, is a gigantic number. (The Mahabharata is almost four times the size of the
Ramayana and is longer than any other epic anywhere in the world.) For a count of
90,000 Sanskrit shlokas, we are talking about something in the neighbourhood of two
million words. The text of the Mahabharata tells us that Krishna Dvaipayana finished
this composition in three years. This doesn’t necessarily mean that he
composed 90,000 shlokas. The text also tells us that there are three versions to the
Mahabharata. The original version was called Jaya and had 8,800 shlokas. This was
expanded to 24,000 shlokas and called Bharata. Finally, it was expanded to 90,000
(or 100,000) shlokas and called Mahabharata.
Krishna Dvaipayana didn’t rest
even after that. He composed the eighteen Maha Puranas, adding another 400,000
shlokas. Having composed the Mahabharata, he taught it to his disciple
Vaishampayana. When Parikshit was killed by a serpent, Janamejaya organized a
snake-sacrifice to destroy the serpents. With all the sages assembled there,
Vaishampayana turned up and the assembled sages wanted to know the story of the
Mahabharata, as composed by Krishna Dvaipayana. Janamejaya also wanted to know why
Parikshit had been killed by the serpent. That’s the background against
which the epic is recited. However, there is another round of recounting too. Much
later, the sages assembled for a sacrifice in Naimisharanya and asked Lomaharshana
(alternatively, Romaharshana) to recite what he hadheard at
Janamejaya’s snake-sacrifice. Lomaharshana was a
suta
, the sutas
being charioteers and bards or raconteurs. As the son of a suta, Lomaharshana is
also referred to as Souti. But Souti or Lomaharshana aren’t quite his
proper names. His proper name is Ugrashrava. Souti refers to his birth. He owes the
name Lomaharshana to the fact that the body-hair (
loma
or
roma
)
stood up (
harshana
) on hearing his tales. Within the text therefore, two
people are telling the tale. Sometimes it is Vaishampayana and sometimes it is
Lomaharshana. Incidentally, the stories of the Puranas are recounted by
Lomaharshana, without Vaishampayana intruding. Having composed the Puranas, Krishna
Dvaipayana taught them to his disciple Lomaharshana. For what it is worth, there are
scholars who have used statistical tests to try and identify the multiple authors of
the Mahabharata.
As we are certain there were multiple
authors rather than a single one, the question of when the Mahabharata was composed
is somewhat pointless. It wasn’t
Dean Wesley Smith, Kristine Kathryn Rusch
Martin A. Lee, Bruce Shlain