her, for chrissake?â
âHey, you watch what you say!â
âAny trouble?â The bartender barely raised his voice. A couple of men at the bar gave me the evil eye.
âIt's okay,â she said, tossing him a forced smile. Then she refocused on me, lowering her voice. âDonât go getting me in trouble here. I lose my job, Iâll kill you.â
âCome on, Marta, talk to me.â
âWhat's the big deal? I donât know nothing about where she is. All I know is he writes me a letter, maybe eight, nine months ago, says how he's sorry for not taking care of me better. Is nice, no? After fifteen years, he remembers he gave me a little something to remember him by.â She made a bitter sound, half laugh, half grunt.
âYou have the letter?â
âWhy would I keep it? I donât still have the money he sent, either.â No? I thought. Not even a little bit, in a sugar bowl? âHow much?â I asked.
âYou think Iâm folding napkins in a bar and Iâm a millionaire? He send a couple hundred, a couple hundred when he's got millions stashed away, maybe billions.â
Thereâd been three hundred in the sugar bowl, but the real question was why send Marta a dime? When Iâd last spoken to Roldan, heâd said he never wanted to deal with her again. They told different tales concerning their brief time together. Knowing Marta, Iâd been willing to take his word for it. Now I reminded myself that just because one side is lying doesnât mean the other is telling the truth.
âMarta, this can come out in dribs and drabs, take all night, and cost you your job. Why not start at the beginning, tell me what you know, and Iâll leave you alone?â
She pressed her lips together and considered how to spin the story so sheâd come out looking good. A skinny man got up from his barstool and fed fifty cents into the jukebox. Marta, the good hostess, beamed at him to keep in practice, and the speakers blared the opening bars of an oldie named âSweet Caroline.â Iâd never heard it sung by anybody but drunken baseball fans at Fenway Park. I preferred it that way.
She leaned back in her chair and regarded me coolly. âI get a letter, like I say, signed Carlito. I used to call him that. There's a couple bills tucked inside, and he asks can he send a few things to his girl. Paolina, he means. After that, the letters are only for her. Personal and private.â
I didnât believe for a minute that Marta hadnât read them.
She held the little birdman up to the dim light. âIf he sent her this, I never saw it. You know, the mail, it gets to the house so late Iâm already on the way to work. Most girls, you know, they get a present, they show it to their mother, but she likes to keep secrets. She's a sly one. Always, she's like that, even when she's a baby.â
I knew her before you did. I know her better than you do.Sooner or later every conversation weâve ever had comes down to that.
âDo you know what it is?â I held out my hand to reclaim the figure.
âIt's pretty,â she said, placing it reluctantly in my palm. âJust some little thing. I donât know what you call it.â
âSo youâre telling me you got one letter, a couple hundred bucks, and that's it? You werenât curious. You didnât want more? You didnât write backââ
âYou think there's a return address or something?â she said angrily. âThere's nothing. Roldan calls the shots, like always.â
âThere was a postmark.â
âMiami. Yeah, big deal.â
âYou didnât tell anybody youâd heard from him?â
âWho's to tell?â
âHow many times did he write to Paolina? How often?â
âYou mean she didnât run and tell you all about it?â
I moistened my lips. The bar was too quiet, the jukebox silent now, the clientele too
David Stuckler Sanjay Basu
Aiden James, Patrick Burdine