she had whispered. "So cold. You have no feelings." She had badly needed comfort then, a word, an arm around her. But Helen was unable to offer, Tory unable to ask. ' 'You did this," she had said in a strained, husky voice. "You took him from me. I'll never forgive you for it."
"No." Helen had nodded slightly. "I don't expect you will. You're always so sure of yourself, Tory."
Now the two women watched each other across a new grave: dry-eyed, expressionless. A man who had been husband and father stood between them still. Words threatened to pour out again—harsh, bitter words.
Each swallowed them.
"I have to get back to town," Tory told her. She walked from the room and from the house. After standing in the silence a moment, Helen turned back to her shelves.
The pool was shaped like a crescent and its water was deep, deep blue. There were palm trees swaying gently in the night air. The scent of flowers was strong, almost tropical. It was a cool spot, secluded by trees, banked with blossoming bushes. A narrow terrace outlined the pool with mosaic tile that glimmered in the moonlight. Speakers had been craftily camouflaged so that the strains of Debussy seemed to float out of the air. A tall iced drink laced with Jamaican rum sat on a glass-topped patio table beside a telephone.
Still wet from his swim, Phil lounged on a chaise. Once again he tried to discipline his mind. He'd spent the entire day filming two key scenes in the studio. He'd had a little trouble with Sam Dressier, the leading man. It wasn't surprising. Dressier didn't have a reputation for being congenial or cooperative, just for being good. Phil wasn't looking to make a lifelong friendship, just a film. Still, when the clashes began this early in a production, it wasn't a good omen of things to come. He was going to have to use some strategy in handling Dressier.
At least, Phil mused as he absently picked up his drink, he'd have no trouble with the crew. He'd handpicked them and had worked with each and every one of them before. Bicks, his cinematographer, was the best in the business— creative enough to be innovative and practical enough not to insist on making a statement with each frame. His assistant director was a workhorse who knew the way Phil's mind worked.
Phil knew his crew down to the last gaffer and grip. When they went on location...
Phil's thoughts drifted back to Tory, as they had insisted on doing for days. She was going to be pretty stiff-necked about having her town invaded, he reflected. She'd hang over his shoulder with that tin badge pinned to her shirt. Phil hated to admit that the idea appealed to him. With a little pre-planning, he could find a number of ways to put himself in her path. Oh, yes, he intended to spend quite a bit of time getting under Sheriff Ashton's skin.
Soft, smooth skin, Phil remembered, that smelled faintly of something that a man might find in a harem.
Dark, dusky and titillating. He could picture her in silk, something chic and vivid, with nothing underneath but that long, lean body of hers.
The quick flash of desire annoyed him enough to cause him to toss back half his drink. He intended to get under her skin, but he didn't intend for it to work the other way around. He knew women, how to please them, charm them. He also knew how to avoid the complication of one woman. There was safety in numbers; using that maxim, Phil had enjoyed his share of women.
He liked them not only sexually but as companions. A great many of the women whose names he had been romantically linked with were simply friends. The number of women he had been credited with conquering amused him. He could hardly have worked the kind of schedule he imposed on himself if he spent all his time in the bedroom. Still, he had enjoyed perhaps a bit more than his share of romances, always careful to keep the tone light and the rules plain. He intended to do exactly the same thing with Tory.
It might be true that she was on his mind a great