Free L.A. Noir by John Buntin Page B

the world. He struck up an acquaintance with Damon Runyon, bard of the New York underworld. As a fighter, Mickey gained a reputation for scrappiness and versatility, if not talent. A natural flyweight, Mickey also routinely fought bantam and featherweight bouts. In 1933, he went up against featherweight champion Alberto “Baby” Arizmendi (like Mickey, a sometime-resident of Boyle Heights) in Tijuana, losing by a knockout in the third round. All in all, Cohen was a good, journeyman fighter. As he said later, “I wasn’t the worse. Neither was I the tops.”
    Still, his heart wasn’t in it. Boxing increasingly disgusted him. Every year in the ring brought another disfigurement—a broken nose, inch-long scars under both eyes, a two-inch scar on the left wrist. But it wasn’t the pain of these injuries that upset Mickey most; rather, it was the physicality of the sport—the sweat, the blood, the blows, the tie-ups, the embraces. Mickey became compulsive about his personal hygiene. After every fight, he’d spend hours in the bathtub or shower.
    Moreover, he wasn’t making any money. Life as a boxer-in-training had its upsides. His managers paid his expenses, bought his clothes, and gavehim pocket money. But the fact of the matter was, Mickey now never had more than $15 or $20 in his pocket. Who did? The watchful Irish and Italian men in the bleachers who periodically came in to check on their fighters’ progress—men like Owney “The Killer” Madden, fresh out of Sing Sing, and Joe “the Boss” Masseria, the king of New York’s Italian underworld (until his assassination in 1931). To Mickey, they were simply “the people.” Even then, he knew that these were the men he wanted to associate with. He just didn’t know how. So he decided to return to Cleveland and try his hand as a full-time gangster. He was not welcomed into the fold.
    Unlike New York City, where the smartest Jewish and Italian gangsters had learned to cooperate, Cleveland was still primarily Italian territory. Mickey tried to fit in by becoming a kind of honorary Italian himself, making Italian friends, picking up bits and pieces of various Italian dialects, and perfecting such forms of assault as “the Sicilian backhander.” Cleveland’s top Italian gangsters, brothers Frank and Tony Milano, just laughed at the “Jewboy,” as they called him, who so wanted to be Sicilian. That changed when establishments across Cleveland started seeing Mickey behind the barrel of a gun. Mickey had decided that if the Cleveland outfit wouldn’t take him in, he would hang out his own shingle as a “rooter,” a holdup man.
    Mickey’s first target was a “half-ass gambling joint… way out the west end of Cleveland in the produce area.” An informer had tipped them off to a high-stakes grocers’ craps game. That night, Mickey and a few associates stormed the joint and grabbed $5,000. They struck again the following week, then two or three times a week. Mickey soon had a troupe of seven and was routinely hitting gambling joints, cafes, and whorehouses across Cleveland. It seemed a highly satisfactory life. Days were spent sleeping and playing cards. Nights were exciting and frequently rewarding, both financially and psychologically. Armed robbery, Mickey found, did wonders for his self-esteem.
    “It made me equal to everybody,” Mickey later recalled. “Even as small as I was, when I whipped out that big .38 it made me as big as a guy six foot ten.”
    Great Depression or no Great Depression, business was good. At the end of a successful heist, Mickey’s little crew worked around his inability to add or subtract by stacking all the bills up separately—Lincolns here, Hamiltons there, Jacksons here (Grants were rare; Franklins, alas, were virtually unknown)—and then dividing each pile among the participants (“one for you, one for me …”).
    The Cleveland mob was remarkably calm about Mickey’s behavior—untilhe hit a bookie parlor under its