Kincaidsticking his head through the front door. He steps inside warily, scanning the room for Detective Snair.
âI talked to the landlord about the light fixture. The bulb burned out last week, and he only had a red one to replace it. Itâs temporary until he can get to the hardware store. Heâs had a lot of trouble getting around because of a bad back. Most likely, itâs just the mattress on his bed, but mattresses are expensive, so he keeps putting offââ
âWhy did he have a red bulb in the first place?â
âI asked that too. Itâs from his darkroom.â
âThanks.â Samantha nods.
âKincaid, what the hell are you doing in here!â Snair roars as he comes through the tent.
Officer Kincaidâs face blanches.
âWe might have a print here.â Samantha steps into Snairâs path.
He looks into her eyes, and she canât tell if he is surprised, furious, or amused. Maybe all three. He turns to the desk. âOn a CD?â
âYes. Itâs the same recording Frank found at the first crime scene.â
âDetective Snairââan officer steps through the tentââI think you should see something.â
âJacobs, dust this for prints,â Snair barks. Without looking at Samantha, he turns and follows the other officer through the tent and back onto the fire escape.
Frank steps toward the window, and Samantha touches his arm. âIâm going to leave, okay.â
He pauses, then nods quietly. âSure.â
She can tell that he is looking for some sign of weakness in her. She realizes that she is covering her stomach with her hands again and drops them to her side, pressing her lips tightlytogether to keep them from shaking. âGo on,â she says. âLet me know what you find out.â She starts quickly for the front door.
âOne more thing.â
âYeah?â
âWhat do you know about Phebe?â
âShe was getting treatment for insomnia at the San Francisco Sleep Clinic. Thatâs where I met her. She and I areâwereâpart of a new study with Dr. Clay. He calls it Endymionâs Circle.â She shifts her weight from one foot to the other.
âEndymion?â
âHe was a figure from Greek mythology.â
âLike the guy who slept with his mother and poked out his eyes?â
âNo, thatâs Oedipus. You obviously werenât a classics major.â She smiles faintly.
âWho in their right mind would be a classics major?â Frankâs voice shifts in tone, becoming softer, more sincere. âSam, when did you start having trouble sleeping?â
âA little over six months ago.â Her head falls to the right.
âAfter I moved?â
âBefore,â she says quickly and looks up. âAnyway, the first treatment didnât work for Phebe, so she left.â
âWhat kind of treatment was it?â
âElectrohypnosis.â
âWhy didnât you tell me?â
âI didnât think it was a big deal.â
âYou didnât think it was a big deal?â he responds incredulously, placing his hand on her right shoulder.
âFrank, it doesnât concern you. Just call me later and let me know what you find out, all right?â
âOkay.â He lets go and walks to the tent.
Â
Samantha rushes out of the building and drives away. At first, she doesnât know where she is going, but soon she is sitting in the back pew of the church. She doesnât want to see Phebe again, not as a piece of evidence. Phebe. Phebe. Phebe McCracken. Samantha says her name again and looks at the porcelain frog in her palm. She feels guilty about taking it from the apartment, but she needed something to think about other than that bloodred circle. Phebe loved frogs and the cello. Like Samantha, she wanted desperately to sleep again.
There are fewer people than usual at the nine oâclock service, and