particular tone, as if you were challenging me to knock a chip off your shoulder. . . . Daisy, whatâs happening to us?â
âNothing.â She knew what was happening, though; what had, in fact, already happened. She had stepped out of her usual role, had changed lines and costumes, and now the director was agiÂtated because he no longer knew what play he was directing. Poor Jim, she thought, and reached over and took his hand. âNothing,â she said again.
They were sitting side by side on the davenport. The house was very quiet. The rain had stopped temporarily, Stella had gone home after surviving another day in the country, and Mrs. FieldÂing was at a concert with a friend. Prince, the collie, was sleeping in front of the fireplace, where he always slept in bad weather. Even though there was no fire in the grate, he liked the rememÂbered warmth of other fires.
âBe fair, Daisy,â Jim said, pressing her hand. âIâm not one of these heavy husbands who wants his wife to have no interests outside himself. Havenât I always encouraged your activities?â
âYes.â
âWell, then? What have you been doing, Daisy?â
âWalking around.â
âIn all this rain?â
âYes.â
âWalking around where?â
âThe old neighborhood on Laurel Street.â
âBut why?â
âThat was where we were living when Iââ when I died ââwhen it happened.â
His mouth looked as though sheâd reached up and pinched it. âDid you imagine that what happened was still there, like a piece of furniture we forgot to bring along?â
âIn a sense itâs still there.â
âWell, in that case, why didnât you walk up to the door and inquire? Why didnât you ask the occupants if theyâd mind if you searched the attic for a lost day?â
âThere was no one at home.â
âOh, for Godâs sake, you mean you actually tried to get in?â
âI rang the doorbell. No one answered.â
âThank heaven for small mercies. What would you have said if someone had answered?â
âJust that I used to live there once and would like to see the house again.â
âRather than have you make such an exhibition of yourself,â he said coldly, âIâll buy the house back for you. Then you can spend all your afternoons there, you can search every nook and cranny of the damn place, examine every piece of junk you find.â
She had withdrawn her hand from his. For a while the contact had been like a bridge between them, but the bridge had washed away in the bitter flood of his irony. âIâm not looking forâjunk. I donât intend making an exhibition of myself either. I went back because I thought that if I found myself in the same situation as before, I might remember something valuable.â
âValuable? The golden moment of your death, perhaps? Isnât that just a little morbid? When did you fall in love with the idea of dying?â
She got up and crossed the room as if trying to get beyond the range of his sarcasm. The movement warned him that he was going too far, and he changed his tone.
âAre you so bored with your life, Daisy? Do you consider the past four years a living death? Is that what your dream means?â
âNo.â
âI think so.â
âItâs not your dream.â
The dog had awakened and was moving his eyes back and forth, from Daisy to Jim and back to Daisy, like a spectator at a tennis match.
âI donât want to quarrel,â Daisy said. âIt upsets the dog.â
âIt upsets theâoh, for Peteâs sake. All right, all right, we wonât quarrel. Canât have the dog getting upset. Itâs O.K., though, if the rest of us are reduced to gibbering idiocy. Weâre just people, we donât deserve any better.â
She was petting the dogâs head in a