closer to the backyard sends an achy tickle up my legs.
I come around the side of the house right next to the patio, right next to the band, and everyoneâs packed tight in the yard. Itâs between songs, so the hurricane isnât swirling. There are so many people around the patio whose faces Iâve seen, even if I donât know their names. Then I canât believe it, but I see other freshmenâa couple people from student government and some football players who are hanging out near Petrakis. Itâs only about five people from the entire freshman class, but it makes me feel stupid. They got invited to a party that I didnât even know about, that I still wouldnât know about if I wasnât playing on my back wall like a ten-year-old.And here are these guys already bonding with the right people, already exactly where Keith says we need to be. But Iâm never going to be varsity this or vice president that. So do I have to pull a van Dorken, flip people off and shove them around so they can smile and give each other high fives for getting abused? Who wants to be the emperor of idiots?
Van Doren leans into the mic, says, âLetâs do this motherfucker,â and the guitars, drums, and hurricane all start at the same time. People like Astrid, who just want to stand, are on the other side of the patio, and it takes me the whole song to squeeze over there. The next song starts right away, and van Doren sings, âThe fucking queen and / the fucking king / fuck all the fuckers / fuck âem clean.â
Astridâs hair swings back and forth with a rhythm you wouldnât think a song like that could have. Sheâs wearing a sleeveless sweater and pink pants that are so tight all the way down to her ankles they must have grown on her. Sheâs worn the pants to school before, but now, this close, I can see the stitches running down to little zippers at the bottom of each leg. Her arms are skinny but with just enough muscle that theyâre not scrawny, still summer brown with tiny blond hairs shining from the patio light. I tap her shoulder with my whole hand and itâs hard and tight and soft and hot. Everything at once.
She looks over her shoulder to the crowd at first; then she sees me.
âHey!â I shout.
Her whole body turns to me. âHey, neighbor. Iâm glad you came.â
âReally?â
âYeah,â she says. She grips my arm kind of serious and leansin close, her breath warming the whole side of my cheek. âHave you had any beer?â
The only beer Iâve ever had in my life are the sips Uncle Ryan gave me once on Thanksgiving and once at the shore on Labor Day. I shake my head and she says, âGood. Promise me you wonât drink, okay?â
I nod, then shout through the waves of music, âThereâs something I have to tell you.â
She lets go of my arm and turns her ear to me. I cup my hand and lean in close. She smells like flowers and something else, not sweat or anything gross, something natural, almost sweet, and Iâve got that drunk feeling again, like when van Doren first hit me with a folder, but in a good way this time. âMy dad is thinking about maybe calling the police if the band keeps playing.â
Astrid pulls away and looks around the yard, then at her watch, which is pink with polka dots all over the face and only the number twelve at the top. She must be able to read it, though, because she nods and says, âGo tell your dad Iâm sorry and that Iâll take care of it, okay?â
âIâm sorry. Heâs really being aââ
âItâs okay.â She looks toward the side of the house where I came in, then back at me. âJust hurry up and go tell him.â
By the time Iâm back at my front door, a police car is creeping down our cul-de-sac, blue lights twinkling off my dadâs truck, but no siren.
My parents are still on the couch, acting
Richard Kirshenbaum, Michael Gross