Humphreyâs to see it as clearly as she could see this. There were big dogs at Cavill House that snarled and snapped and pulled at their chains; and the servants would have no hesitation in turning them loose on anyone like herself who went too close.
She laid the eggs outside the door and put the crimson flower on top of them. Then she lifted the great knocker and let it fall. She heard the sound echoing through the hall and stood there waiting, in spite of her natural boldness, with a quaking heart.
The door opened, but it was not he who opened it; it was a young girl with short hair â cut like a boyâs; and she was wearing what seemed to Tamar a very fine gown.
The girl stared at her in dismay. She looked at the eggs on the doorstep and whitened as though Tamar were an emissary from the Devil, which she probably thought the child was.
âWhat do you want?â asked the girl nervously.
âYour master,â answered Tamar boldly.
âYou . . . you want to see . . . the master?â
Tamar drew herself up with dignity. âTell him to come here,â she said.
But now Mistress Alton had come to the door. âWhatâs this? Whatâs this?â
The cane and the keys at her waist swung out, and Tamar was aware of them while she kept her eyes on the womanâs face.
âI want your master,â said Tamar.
âYou want . . . what?â
âThe master. I got something for him.â
Mistress Altonâs lips tightened. âI never heard the like! The impertinence. Itâs that black-eyed daughter of a black-eyed witch! You get out of here and take your filth with you.â Her hands reached for her cane.
âIâve come to see your master. Youâll be sorry if you hurt me.â
âYou can strike me dead,â said Mistress Alton, âbut Iâll not have you set your evil feet in this house. Whatâs all this mess on my doorstep?â
ââTis no mess,â said Tamar firmly. âTis what Iâve brought for your master.â
âYouâve brought . . .
what
for the master?â
âSeagullsâ eggs and a flower for luck. I got them myself. Look! I climbed high for them.â
âTake those things away.â
âI wonât. Theyâre for him.â
Mistress Altonâs face grew red with rage and before Tamar realized what she was about to do, she had stepped forward and stamped on the eggs.
Tamar stared down at the havoc and let out a little cry of anguish; then she rushed at the woman and, catching her skirts in both hands, kicked her.
âHelp! Help!â cried Mistress Alton. âIâm set upon. You Moll . . . donât stand there gaping. Get someone quick. My dear life, donât you see the witch is trying to do me some harm?â
At this point Richard Merriman came into the hall, his eyebrows lifted, his eyes puzzled. Tamar released the woman and looked at him through her tangled locks.
âWhat does this mean?â he asked coldly.
âThis . . . witch . . . came here to harm you . . . to harm us all!â cried the housekeeper.
âWhat a small witch!â he said.
âShe was putting eggs on the doorstep. It was a spell, thatâs what it was. I know their wicked ways.â
He had approached to look at the eggs.
Tamar cried out shrilly: âThey were seagullsâ eggs. I got them for you. It was because you saved me. I went high for them. And the flower was for good luck. It will keep evil away from your house.â
âAh,â he said. âYouâre Luceâs girl. What is your name?â
âTamar.â
âA good name,â he said; he was smiling. âIt was good of you to bring the eggs. I thank you.â
âBut they are broken. She stamped on them.â
âI thank you all the same.â
She picked up the flower.
âThis is for you too. It will keep evil away.â
He took it. âSo you pay your debts,
J. S. Cooper, Helen Cooper