rocky hillside, starts to remove his clothes, then hesitates. The night is growing cold, he thinks, and he doubts that he will be able to build a fire. The clothes will afford him some protection from the night-cold, and he decides to keep them on.
Veil searches until he finds a large outcropping of rock at the northwest end of a large body of water that is surrounded by a number of the curious, winding paths of smooth stone which the Newyorkcities seem to build everywhere. He sets down his spear and the Nal-toon, then takes a piece of clothes from his body and uses it to soak up the blood running down his left arm. When he is satisfied that he will leave no blood-spoor to follow, he picks up the spear and Nal-toon and clambers up the long, sloping rock face before him.
After a time he finds a cleft in the rock just wide enough to allow his body to pass through. He eases himself down and finds himself on a narrow, sandy patch of ground that spreads out beneath the cleft—which he can now see is the lip of an overhanging ledge. He pulls the Nal-toon and spear after him, then lies down in the darkness and listens carefully, trying to distinguish those night sounds that could signal danger from the overall din that Newyorkcity emits like the never-ending howl of some great wounded beast.
The relative quiet of Centralpark is suddenly broken by distant, wailing sounds that seem to come from the direction of the place where he found the Nal-toon. Without knowing why, Veil is convinced that the shrieking, ululating sounds have something to do with him; he fears they are the sounds of magic machines the Newyorkcities can use to track him. Clenching his teeth against the pain in his shoulder, Veil stretches up on his toes in order to see over the lip of the ledge.
What Veil sees startles him, and truly frightens him for the first time. A flying machine that is not an airplane, one which he has seen before only in the desert, suddenly comes scudding low, like a giant insect, across the trees at the southern end of the meadow before him. He has seen how these flying machines can soar and sweep and even hover in the air for a long period of time. He had always assumed that these magic machines were used by the white tribes only to drop bundles of food to the K'ung in times of need, but now one of them is searching for him, lighting the ground with its fire-eyes.
The Newyorkcity hunters have very powerful magic, Veil thinks, and it occurs to him that they may be able to find him, no matter where, or how well, he hides. If that is the case, he wants to die fighting as a warrior, not like some wounded animal cowering at the back of a cave.
He starts to pull himself up through the cleft, then remembers with a sharp jolt that he is under the Nal-toon's protection. He has been a fool, Veil thinks, for the Nal-toon has given these things to the Newyorkcities, just as He gave the desert, and everything in it, to the K'ung. The Nal-toon sees and controls everything, and there would be no point to this trial if the Newyorkcities' magic machines and weapons were all-powerful. No. He will be safe for as long as he displays courage and keeps faith in the Nal-toon.
Veil eases himself down into the darkness beneath the overhang. He touches the face of the Nal-toon and immediately feels better.
When he again peers over the lip of the ledge, Veil can see that the first flying machine has been joined by a second. Both are hovering, lighting the meadow around the water. Newyorkcity warriors, all wearing identical blue clothes, swarm over the meadow and through the trees where he had been only a short time before. All of the warriors carry what appear to be bang-sticks of different sizes.
He has killed one of their tribesmen, Veil thinks, and the Newyorkcity warriors will surely kill him if he is caught. He will have failed the trial set by the Nal-toon, and the Nal-toon will never be returned to his people.
However, Veil thinks, the fact that the