Grossman slowed his pace as they passed the booth and shook his head. âLook at that, will you?â He snapped a finger. âHe didnât even rewrite the stuff, took it right off the teletype. We call that rip and read, no background, no style.â
Lark wondered if the young newsman knew who Adlai Stevenson was.
Bear Tooth was standing by the studioâs door and gave Grossman a light punch to the shoulder. âEat âem up, Johnny.â
âFucking A,â Maurice Grossman said.
Lark watched Maurice Grossman take three steps across the glass-enclosed booth and saw Johnny Gross take a seat at the swivel chair in front of the microphone and engineerâs board. He had heard of such instant metamorphosis that sometimes occurred in actors, but had never actually witnessed the transformation. Johnny/Mauriceâs complete demeanor changed the instant he sat before the microphone. His eyes glistened and he leaned forward with a vibrancy that transcended the man they had spoken with a few minutes earlier. A group of young girls had gathered before the mall window, and a blonde with long hair, short-shorts, and a brief halter gave Johnny the finger.
Johnny Gross laughed and returned a full arm gesture. The mike was now alive. âGood morning, boys and girls, this is Johnny Gross and the show is Gross Out.â Johnny Gross threw a lever and the sound of a flushing toilet rose up and then down and under until it faded out. âToday is Bolero day, kiddies, and that is the most sexy piece of music ever written. Thirty-two minutes from now you are going to have eight minutes of Ravelâs Bolero , and you all know what Johnny wants you kids to do during that music. Remember, I will be with you in spirit. So, all you housewives grab the delivery boy or your vibrator and get ready to do you-know-what. Now we have a quick spin of the hot new release from the Cryptic Cadence.â Another lever was pushed and Johnny Gross leaned back in his chair and put his hands behind his neck. âAll right, loot, what can I lay on you?â Gross said to Lark.
Lark glanced at Horse, who shrugged. âIâd like yesterdayâs mail.â
âBurned.â
âWhat?â
âYou heard me, or do you have wax in your ears?â
Lark glared. âListen, punk, Iâm not one of your teeny-boppers.â
Johnny Grossâs eyes flickered and Maurice Grossman peeked out for a moment. âSorry. Maurice was upset and he threw them all in the incinerator. Maurice is a wimp.â
âWe now speak in the third person?â
Johnny Gross shrugged and gave another arm gesture at the young girls standing outside the window. âWhatever.â
âListen, Gross,â Lark said, âyou hear anything more from our friend, you contact me. Right?â He tossed a business card at the DJ.
Johnny Gross shrugged again and leaned forward over the mike. âRemember, you raunchy people, it will soon be Bolero time and thatâs you-know-what time.â
Lark and Horse left the booth. âWhereâd you get that suit, Horse?â
âWife made it from a picture in Esquire . Sheâs handy that way.â
âI can see that she is.â He entered the station managerâs office without knocking.
A tanned, athletic man with broad shoulders and a wide smile looked up from a magazine. âCan I help you?â
âIâm Lieutenant Lark and this is officer Najankian. Iâd like some information about Maurice Grossman.â
âGrossman?â
âJohnny Gross.â
The room was filled with golfing trophies and Lark imagined that this aging jock sold most of the stationâs time on local courses.
âIs Johnny in any trouble? I know heâs dirty, but weâre still within the new guidelines. Thereâs no reason for the police to get involved.â
âNothing like that. He provided some information to us on a certain case and we need
Dean Wesley Smith, Kristine Kathryn Rusch
Martin A. Lee, Bruce Shlain