your looks anâ manners since when you arrived here anâ now, mockinâ me with that grin anâ that shifty-eyed indifference, evidence youâre setting out on a future life of corruption. Address and phone number, Iâll write, Iâll phone! âYouâre not leavinâ here with a piece of trash like
that
that pissed out the window! âSon, son, donât do it! [
She covers her face, unraveled with emotion. Exchanging a look with Sky, the writer places an arm gingerly about her shoulder
.] You know Iâve sort of adopted you like the son took away from me by the late Mr. Wire and aâ and a crooked lawyer, they got me declared to beâ mentally incompetent.
WRITER : Mrs. Wire, I didnât escape from one mother to look for another.
[
Nursie returns, huffing, to the lighted area
.]
NURSIE : Mizz Wire, those tourists ladies, I canât control them, theyâre pickinâ the azaleas off the bushes, andâ
MRS. WIRE : Thatâs what I told you to stay in the courtyard to stop.
NURSIE : Oh, I try, but one of âem jusâ called me a impudent ole nigger, and I wonât take it. I come here to tell you I QUIT!
MRS. WIRE : AGAIN! COME BACK OUT THERE WITH ME! [
She turns to the writer
.] Weâll continue this later. [
She exits with Nursie
.]
WRITER [
to Sky
]: âWere you serious about the West Coast offer?
SKY : Youâre welcome to come along with me. I donât like to travel a long distance like that by myself.
WRITER : How do you travel?
SKY : Iâve got a beat-up old â32 Ford across the street with a little oil and about half a tank of gas in it. If you want to go, we could share the expense. Have you got any cash?
WRITER : I guess Iâve accumulated a capital of about thirty-five dollars.
SKY : Weâll siphon gas on the way.
WRITER : Siphon?
SKY : I travel with a little rubber tube, and at night I unscrew the top of somebodyâs gas tank and suck the gas out through the tube and spit it into a bucket and empty it into my car. Is it a deal?
WRITER [
with suppressed excitement
]: How would we live on the road?
SKY [
rolling a cigarette with obvious practice
]: Weâd have to exercise our wits. And our personal charm. And, well, if that donât suffice, I have a blanket in the car, and thereâs plenty of wide open spaces between here and the Coast. [
He pauses for a beat
.] Scared? Of the undertaking?
WRITER [
smiling slowly
]: Noâ the Coastâ starting when?
SKY : Why not this evening? The landlady wonât admit me to the house again, but Iâll call you. Just keep your window open. Iâll blow my clarinet in the courtyard. Letâs say about six.
[
The conversation may continue in undertones as the area is dimmed out
.]
SCENE NINE
The lights come up on Janeâs studio area. The shuttered doors to the windows overlooking the courtyard below are ajar. Jane is trying to rouse Tye from an unnaturally deep sleep. It is evident that she has been engaged in packing her effects and his
.
JANE : Tye, Tye, ohâ Christ . . .
[
He drops a bare arm off the disordered bed and moans slightly. She bends over to examine a needle mark on his arm
.]
TYE : â Whâ ?
[
Jane crosses to the sink and wets a towel, then returns to slap Tyeâs face with it. He begins to wake slowly
.]
Some men would beat a chick up for lessân that, yâknow.
JANE : All right, get out of bed and beat me up, but get
up
.
TYE [
stroking a promontory beneath the bed sheet
]: âCanât you see I
am
up?
JANE : I donât mean that kind of up, and donât bring stripshow lewdness in here thisâ Sunday afternoon.
TYE : Babe, donât mention the show to me tâday.
JANE : Iâd like to remind you that when we first stumbled into thisâ crazyâco-habitation, you promised me youâd quit the show in a week.
TYE : For what? Tight as work is for a dude with five
Dean Wesley Smith, Kristine Kathryn Rusch
Martin A. Lee, Bruce Shlain