The Daffodil Affair

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Authors: Michael Innes
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shoulders, jabbed with fork and sawed with knife; he hated this awful woman as much as if she had been a celebrated bawd. But Miss Mood had clearly got him wrong; her turning to him had all the lush confidence of a tropical creeper’s spiralling at the sun. ‘Mind-stuff is alone pervasive,’ she said. ‘There is nothing else in the etheric world.’
    Appleby felt a faint jar throughout his system – rather as if he had been pulled up in full career by the sudden recognition of an unexpected short cut. For between two bites of hazel hen he had apprehended the truth about Miss Mood. The woman was going where Hannah and Lucy had gone.
    That was it. She and Hudspith and he were, so to speak, all in the same boat. And this was a thing likely enough – boats not being too plentiful these days. If the traffic to the pseudo-Capri was at all heavy – and already it had the appearance of being so – then parts of it were almost certain to converge quite far out on the Whale Roads. And a woman with that sort of eye and vocabulary – for there had been this sort of etheric-world stuff several times before – was just right for Daffodil’s stable.
    Appleby, chewing on this abrupt intuition, let his glance circle his other companions. If it were logical to suppose this of Miss Mood, then might it not –
    The man called Beaglehole was looking at Miss Mood with disapproval. There was far from being anything out of the way in that. And yet about the manner of Beaglehole’s disapproval it was possible to feel something puzzling. Appleby’s eye travelled forward to Mrs Nurse, the commonplace and pervasively negative Mrs Nurse…and suddenly he perceived the truth about her too. He looked at Mr Wine – there was only Mr Wine left – and as he looked at Mr Wine, Mr Wine looked at him. There are indefinable moments in which one feels that one has dropped the shutters just in time. Appleby felt this. For a second he continued to look at Wine blankly, and then he looked at Hudspith. Hudspith’s eye was more discernibly than ever upon his private whale – the creature blew and spouted in the gravy. And so much for individual inspection. It remained to consider all five of his companions simultaneously and by a coup d’oeil . Tolerably achieving this, Appleby felt that it would be well to go up and get some air.

 
     
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    Sea and sky were us usual; the prow and its watchers went up and down as before. But Appleby paced a deck mysteriously transformed; he was like an actor who steps from the diffuse and rugged structure of actuality into the economy of a well-made play. For here, all unexpectedly, was the problem – or part of it – neatly under his nose again. Beaglehole had looked at Miss Mood with disapproval, the sort of disapproval with which a shop-walker might regard a counter ineptly piled with demodé goods. That was it. Miss Mood with her particular patter of the etheric world was booked for the bargain basement. Lucy Rideout and Daffodil would be much more catch.
    Beaglehole, in fact, was what in commercial language is called a buyer, and Miss Mood and Mrs Nurse were his latest haul. The case of Mrs Nurse – said Appleby to himself in the sudden illumination that had befallen him – the case of Mrs Nurse was clear. She was a high-class medium – which meant an honest and peculiarly simple woman who was yet capable, in certain abnormal or trance states, of ingenious and sustained deceptions. That was it – or that was it in uncompromisingly rational terms. Mrs Nurse was just the type: a shallow pool until the waters parted and sundry problematical depths were revealed. Mrs Nurse would sit in a darkened room with bereaved mothers and sensation-seekers and inquiring Fellows of the Royal Society. Strange voices would come from her; voices voluble, hesitant, coherent, fragmentary, pathetic, pompous, fishing, shuffling. And people would listen as they had listened ever since the days of the Witch of Endor. One hears his

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