The Magpies Nest

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Authors: Isabel Paterson
well past her prime, dealt in masculine "futures," and was gowned from Paris. Ned Angell had bored her with accounts of Hope. It gave her and Cora a certain satisfaction to perceive the girl, on her entrance, a dim little thing, obviously gauche .
    Dim she was, gasping for breath, like a fresh-landed minnow, in her new element. Ned could not strike a spark from her, and he did like coruscations, fireworks. A part of Hope's prettiness was her waxen delicacy of complexion; even her mouth was only pink. When she felt dashed or ill it was as if a fine grey ash had fallen on her. It fell on her now; she looked forlorn, and the odd gown she had chosen, admirably suited to her glowing mood, seemed somber. It was of black lace, and her slippers were of blue satin; a Ridiculous blue rose blossomed on her shoulder; a black chiffon band encircled her head, with a fluffy bow that was meant to be perky. It had slipped a bit, and sat over one eye, making her look lost and neglected, but very quaint. Ned, beside her, felt humorously despairing. He would have to hand her over to the men she must dance with like—like a sick kitten, instead of permitting them the privilege. He did not apply the epithet harshly; no one could feel harsh toward a poor little sick kitten.
    He wondered why she attracted him at all. Sometimes so did she. Undoubtedly the attraction existed; more, perhaps, in her absence than otherwise. He always went back to her, as if to look at her once more and confirm a previous impression, or perhaps hoping that at last she might realise some subtle anticipation. That she literally never heeded him at all, neither his comings nor his goings, was part of the charm. He could not imagine her waiting for him, even unconsciously. During an interim she would go on about her own affairs, just being herself. And it might be she would develop a new phase, and he ought not to miss it. He had had so many love affairs of all kinds, he was not sure but this was a new kind —when he was away from her.
    They danced the first together, of course; her blue satin shoes were light on the floor, at least. As her card was not half-filled, he left her then to remedy the matter. She subsided into a seat, pale, but evidently of stoic courage. She was looking at the patronesses, with a touch of sly deliberation in her eye, when Mary and Mrs. Patten found her and swept down on her with subdued rustlings and laughter. It was charming to see her eyes at once darken and light up and the animation flow back to her face. The missing colour note was supplied to her tonal ensemble. And she wanted to kiss Mary and Lisbeth; her eyes said it, her mouth said it, without words. That kissing expression was what made Tony Yorke, who had been watching her with mingled pity and amusement, get up from his chair and go in search of Ned. He decided suddenly he wanted to be presented to her.
    "Thank heaven," Hope was saying to Mary. "Now I want you to impress all these people indelibly on my mind by telling me something horribly scandalous about each of them. Begin with the patronesses."
    They did begin with the patronnesses, who represented every shade of the town's evolution toward "society," as Mary explained. From Mrs. Manners, small, withered, terrifically dignified in her venerable Vandyke gown of black velvet draped with real, if soiled, old lace—who. had brought her county traditions with her from England along with the gown and preserved them inviolate through twenty years of struggle with the rawness of a frontier town—to Mrs. Lockwood, a walking advertisement of her husband's trade as to avoirdupois, and his prosperity as to diamonds, they presented a complete social microcosm.
    "Who," asked Lisbeth, "is that small fair woman with Mrs. Lockwood? Have I ever seen her before?"
    "Perhaps not; she is only visiting. Mrs. Lockwood caught her in Banff. She," Mary smiled, "is a lady-in-waiting to the Queen of Norway. Now she's talking to Amy Bell; the Bell girls

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