Free 30 Pieces of a Novel by Stephen Dixon Page B

to push the seduction a little and she’s making him so goddamn hot, and he puts an arm around her and she says, “What gives now? Watch out, my funny man, and more for the jewels. They are precious, even the box is precious, and some can break,” and pushes him off the bunk to the floor. “Haven’t you heard? Good things come to those who wait, and even then they may not arrive,” and he says, “I’ve heard that, except the ending, but okay, I won’t push—not your way, at least,” and she says, “Now you talk in riddles. And come, get off the floor, you look like a dog,” and he sits beside her and says, “I meant pushing with the hands. Nor the other way, urging myself on you romantically, though it’s certainly what I’d want, the romance—you wouldn’t?” and she says, “That kind of talk should only be between lovers, and we aren’t that yet and may never be. Time will tell, time will tell,” and he says, “You’re right. If you’re interested you’ll tell me, agreed?” and she says, “Now at this point I can see where Europe has sharpened and civilized you, as you told me yesterday, but only in spurts. You need to travel there more. And now that you’re in a soft mood, it means I can go past mere love and sex and friends’ playfulness and tell your fortune. Would you like me for that?” and he says, “I don’t know if I could believe in it,” and she says sulkily, “Then I won’t; without your faith, I’d only rummage over your palm,” and he says, “No, please, do, I’m very interested, and you’re probably an expert at it.” She closes the box—“I am, but you’re a liar, though I like it”—takes his hand, and traces it with her finger, tells him he’ll marry early, have a good wife, fine children, then a second good wife, young and beautiful and wealthy like the first. “The first won’t die but she will disappear and everyone will wonder why and even accuse you but no one will find out, and the mystery will never be solved. The law will permit you to remarry after two years to let the new wife help you with your babies.” He’ll do well in his profession. He has a romantic and artistic turn to his nature but also one that will make barrels of money, so much so he won’t need his wives’. He’ll be well educated, travel around the world twice, marry a third time—“Did I mention that before?”—and he says, “No, just two,” and she says, “Perhaps because the first two are real marriages, the second wife running off with someone like your brother—do you have one?” and he says, “Yes, in a way, older,” and she says, “Then you have to watch out for him, but it could also be a best friend. And then, soon after, while you’re broken down in sorrow—and this is why I must have said you only marry twice—you settle down with a young woman so young she is not even legal for you and you must live elsewhere and out of wedlock. I think it says here,” jabbing the center of his palm, “she is first someone you teach like your student and then pretend to take in as an adopted daughter, and have two more children.” “How many altogether with the three women?” and she counts on his hand: “Four … five … six, which is a lot for today,” and he says, “And their sex? How are they divided up male and female?” and she says, “It’s difficult to distinguish those markings here. But soon after your final child, and while all never leave home from you, it says—” and suddenly she looks alarmed, drops his hand, and says, “No more, I don’t want to go on,” and he asks why and she says, “Please don’t ask,” and he says, “What, my lifeline?” and she says,