thereâs a father, Dominysan!â Jess squeals. âAre you so caught up with the bee and the butterfly that youâve forgotten all about the birds and the bees?â
Through my own gigglaughs I explain the revelation of the moon jellyfishâs unique ability and our thought that maybe Nadineâs baby is biologically fatherless. Jess is amused, but her opinion isnât swayed.
âThat would have made a clever coincidence,â Jess admits. âBut itâs wrong. Some coincidences are really just that, Dom, fun and interesting but completely devoid of any truth.â
âHow can you tell the difference?â I ask.
âSometimes youâre not meant to know the difference,â Jess replies cryptically. Then with a mischievous gleam in her eye she adds, âHow else would the supernatural powers that be laugh at your mistakes?â
We really are just laughter for the gods.
Anticipating my next question, she continues talking before I can even open my mouth. âAnd I cannot tell you who the babyâs father is.â
âLimitations?â I ask.
Another wistful smile and another change. Jess looks exactly the same as she always has, since the day she died, a fifteen-year-old girl, not a child and not a woman, stuck in that frustrating in-between world. But now she appears to be older. She looks as if sheâs outgrowing her shell, as if the outside and the inside are no longer a match. The more I contemplate what this could mean, the more frightened I start to get.
Suddenly Jess spins around, and strips of golden light encircle her body with each turn, like sheâs one of those rhythmic gymnasts who jump and twirl and flip around while carrying a wand with a long ribbon on the end of it. Itâs a gold-medal performance, but itâs all for my benefit; Jess isnât feeling any of the joy sheâs creating.
âSo then why are you here?â I ask. My voice makes her come to an abrupt stop, but her golden light continues to wrap itself around her unmoving body for a few seconds longer until it fades away and disappears into the air. âDid you come to crash the party?â
âWhat party?â
Now I know somethingâs wrong. In less than an hour our house is going to be filled with our friends for Calebâs going-off-to-college party, his final blast before heading off to Big Red, the University of Nebraska. Itâs one shindig I know Jess wouldnât want to miss.
âYou know exactly what Iâm talking about!â I protest. âCalebâs party! Donât try to act as if youâre not interested.â
But Jess isnât acting; she really isnât interested.
âI think Iâve outgrown my party-girl phase,â Jess replies.
I sit in my desk chair. Itâs still warm with Jessâs golden light, and I realize Jess isnât any type of girl at all anymore. âThen . . . why did Dice let you off your leash to come here?â
âI have to warn you,â she says, standing in front of me, but once again sheâs more interested in her reflection than my response.
âAbout what?â I demand. âAnd before you say anything, make sure that what youâre going to tell me is accurate; no more misguided commands to kill.â
âSomethingâs coming,â she says firmly.
I donât question her further, not because I know thereâs little more that she can tell me, but because Iâve sensed the same thing for weeks now, since my last transformation. Iâve tried to ignore it, but itâs always been there, in the back of my head, right behind my eyes. Not a feeling, more like an expectation.
âSomethingâs coming, Dominy, that will change everything,â Jess states. âAnd you need to be prepared.â
The message isnât as scary as the tone of Jessâs voice, which is abrupt and distant and final. Who is this person standing in front of me?
Christine Zolendz, Frankie Sutton, Okaycreations