OK?â
Earl grins. âAbout like youâd think. There are good days and bad days, but, dude. Did you not turn on your car radio?â
âSignalâs all messed up. Whatâs going on?â
âYou live out there, asshole. You tell me.â
âWasnât home, canât get back.â
âOh, crap.â
âItâs not like I didnât try. Roadblocks, guards everywhere, all feisty and armed and dangerous. Your old bud Jack Stankeyâs holding âem off at the pass.â
âShuh, that ainât the half of it,â Earl says, slipping right back into it, talking the way they did, touch of this, touch of that, a little bit of Gullah in the overtones, just enough to signify that they know who they are and who their people are, two twelve-year-olds out in the boat, belching crabmeat and leftover port, same as it ever was. Except itâs not. âNobody gets on Kraven and nobody comes off of it. Thereâs some kind of quarantine or embargo or some damn thing. Itâs all over the radio.â
âNot mine.â
âCB, dude, coastal band. Iâm oâ tell you, you canât get there from here.â
Davy looks at the skies. Helicopters circle like angry bees feinting at the heart of Kraven island. âIt donât stop them.â
âUnelse they try to land.â
âI need your boat, Earl, Iâll keep care of it.â
âCoast Guardâs out there, so forget it, police boats circling low and vicious, like sharks.â
âNot if I go around and come in from the ocean.â
âOpen water? Theyâll pick you right off.â
âIf I anchor on the far side of the sandbar, bodysurf in, they wonât even know Iâm there.â
âUnelse you get caught in the rip.â
âRiptide? Man, everybody knows how to get shut of that. Drop in at the right place and I can ride it until it spits me out pretty much where I need to be. You got an anchor in that thing?â
âShut up, Iâll carry you. Get in.â
âDude!â Davy strips down to his briefs and hesitates, passing his phone and his wallet from hand to hand.
âPut your particulars in here, youâll need âem when you get stopped.â
Davyâs teeth clash and lock tight. âNobody stops me.â
Earl throws him the waterproof pouch. âYeah, right.â
âYou drop me and take off instanter, right?â
âFuck that shit.â Earl hands down his tackle box and the bait bucket and jumps in. âBluefish are running. Might as well drop a line while I cover you.â
Theyâre out on the water just like always, easy together, like nothing else is going on. For the moment itâs so peaceful that when the sound of a remote explosion rocks Davyâs head back on his neck, it picks him up and puts him down in a new place. He flashes on that classic scene in old moviesâ the party, the dance, the picnic where everyoneâs so happy that you know something awful is about to come down: the last good time .
Boom.
âDynamite.â He snaps back into himself. âTheyâre sounding the lake.â
Earl says, âTo see what floats upâ¦â
Davy doesnât want to finish it for him, but he does. âBecause theyâre fixing to drag.â
âFor bodies.â
âFuck.â
âGood news, asshole.â
âHow is that good?â
âItâs almost dark. Theyâre all over to the lake with their grappling hooks and shit, so nobody cares which way you come in or how you come in and they sure as hell wonât mess with me, cool Gullah-man, wants him some pike. Keep low in the boat, you hear? Roll over and roll out when I tell you, and youâll end up at Powellâs Inlet, halfway to Powellâs dock.â
Theyâre so easy with each other that they go along in silence until itâs time. Earl says, âIâll wait on you. Come