Free The Strain, the Fall, the Night Eternal by Guillermo del Toro Page A

Eph followed the administrator behind blue curtains into a wide vestibule containing trays of contact supplies—gowns, goggles, gloves, booties, and respirators—and a large, rolling garbage barrel lined with a red biohazard trash bag. The respirator was an N95 half mask, efficiency rated to filter out 95 percent of particles 0.3 microns in size or larger. That meant it offered protection from most airborne viral and bacteriological pathogens, but not against chemical or gas contaminants.
    After his full contact suiting at the airport, Eph felt positively exposed in a hospital mask, surgical cap, barrier goggles, gown, and shoe covers. The similarly attired administrator then pressed a plunger button, opening an interior set of doors, and Eph felt the vacuumlike pull upon entering, the result of the negative-pressure system, air flowing into the isolation area so that no particles could blow out.
    Inside, a hallway ran left to right off the central supply station. The station consisted of a crash cart packed with drugs and ER supplies, a plastic-sheathed laptop and intercom system for communicating with the outside, and extra barrier supplies.
    The patient area was a suite of eight small rooms. Eight total isolation rooms for a borough with a population of more than two and a quarter million. “Surge capacity” is the disaster preparedness term for a health care system’s ability to rapidly expand beyond normal operating services, to satisfy public health demands in the event of a large-scale public health emergency. The number of hospital beds in New York State was about 60,000 and falling. The population of New York City alone was 8.1 million and rising. Canary was funded in the hopes of mending this statistical shortfall, as a sort of disaster preparedness stopgap. The CDC termed that political expedience “optimistic.” Eph preferred the term “magical thinking.”
    He followed the administrator into the first room. This was not a full biological isolation tank; there were no air locks or steel doors. This was routine hospital care in a segregated setting. The room was tile floored and fluorescently lit. The first thing Eph saw was the discarded Kurt pod against the side wall. A Kurt pod is a disposable, plastic-boxed stretcher, like a transparent box coffin, with a pair of round glove ports on each long side, and fitted with removable exterior oxygen tanks. A jacket, shirt, and pants were piled next to it, cut awayfrom the patient with surgical scissors, the Regis Air winged-crown logo visible on the overturned pilot’s hat.
    The hospital bed in the center of the room was tented with transparent plastic curtains, outside which stood monitoring equipment and an electronic IV drip tree laden with bags. The railed bed bore green sheets and large white pillows, and was set in the upright position.
    Captain Doyle Redfern sat in the middle of the bed, his hands in his lap. He was bare-legged, clad only in a hospital johnny, and appeared alert. But for the IV pick in his hand and arm, and the drawn expression on his face—he looked as though he had dropped ten pounds since Eph had found him inside the cockpit—he looked for all the world like a patient awaiting a checkup.
    He looked up hopefully as Eph approached. “Are you from the airline?” he asked.
    Eph shook his head, dumbfounded. Last night, this man had gasped and tumbled to the floor inside the cockpit of Flight 753, eyes rolling back into his skull, seemingly near death.
    The thin mattress creaked as the pilot shifted his weight. He winced as though from stiffness, and then asked, “What happened on the plane?”
    Eph couldn’t hide his disappointment. “That’s what I came here hoping to ask you.”
    E ph stood facing the rock star Gabriel Bolivar, who sat perched on the edge of the bed like a black-haired gargoyle draped in a hospital johnny. Without the fright makeup, he was surprisingly handsome, in a stringy-haired, hard-living way.
    “The mother