associates in the studio turn out canvases by the yard. What you call â quantity production â and â high pressure salesmanship.ââ
âI think M. Johnson will explain,â the concierge said.
âIf he knows whatâs good for him, he will,â said the detective.
They entered the Dôme and found M. Chalgrin standing near the cashierâs seat and listening to the clinking of coin. Because of Hjalmarâs gathering in the studio, the Dôme had got off to a flying start of broken glass that day and its proprietor had hopes of smashing the worldâs record for twenty-four hours which was held by the Coupole. The Dôme was an old-established café , the Coupole an interloper, according to Chalgrinâs idea.
âWhy, hello, sergeant,â M. Chalgrin said. âI havenât seen you since that Rosary game exposure. Congratulations. Now weâll hear no more about the genial Irishman whoâs on his way to Rome.â
âThere are thousands of Irishmen, worse luck,â Frémont said.â The man Iâm looking for now is a party named Gonzo ...â
âNot Gonzo, Johnson,â the concierge said. âYou know. The big painter who boxes when heâs drunk. . . .â
âOh. You mean Jansen, the Norwegian. Why? Whatâs wrong with him?â Suddenly M. Chalgrin gasped, clutched his pocket, leaned against the bar in order to keep his legs from buckling.
âIâm sure heâs not a swindler or a murderer,â the concierge said.
âI want him, and I want him now. Where is he?â Sergeant Frémont said.
Chalgrin began to splutter, then to wave. The spluttering began to be faintly articulate and the waving slowed down so that Frémont could grab and hold a cheque that had been in Chalgrinâs hand. The sergeant glanced at it once, then his usual calm forsook him.
âYou cashed this cheque? You gave this Gonzo huge sums of money?â
âAnd why not? Heâs been a good client for a long time, heâs even painted my pictureâ¦.â
âVery probably he did not.â
âMy dear sir, I was sitting in the room when he did it. I sat there for hours every morning. That cheque is signed by Hugo Weiss. Everybody knows about Hugo Weiss. Why shouldnât I cash it?â M. Chalgrin asked.
âI could give you a dozen reasons, but thereâs no time now. At what hour did you commit this idiocy?â
âAbout a quarter to eight.â
Frémont groaned. âMy God. Heâs had a start of three hours and a half. He may be in Belgium, Luxembourg, on the English channel to join that Mademoiselle Montana. . . . One hundred and twenty-five thousand francs....â
âBut the cheque. Whatâs wrong with the cheque?â
âHugo Weiss has disappeared, evaporated, vanished. No trace of him anywhere.â
âDoes that affect the cheque?â
âIâll take the cheque,â the sergeant said. âNow show me this Gonzo.â
âHeâs not on the terrasse. In fact I havenât set eyes on him since I gave him the money. He started out from here in the direction of the Coupole.â
âWhy didnât you say that in the first place? Weâve wasted valuable time,â the sergeant said, disgustedly, and hustled toward the Coupole with the concierge in his wake. There they found M. Delbos standing on the sidewalk, in the shadow of a tree, glancing anxiously toward the Dôme. He had heard the breakage record was in jeopardy and was frankly worried.
âM. Delbos,â the sergeant said, âis there a painter on ypur terrasse , a kind of Swede named Gronso?â
âNot Gonso, Johnson,â said the concierge.
âYou donât mean Jansen, Hjalmar Jansen?â
âPerhaps. He also goes by the name of Iallemaire. Lead me to him instantly.â
âWhatâs wrong with M. Jansen?â asked M. Delbos, and instantly all
Marc Nager, Clint Nelsen, Franck Nouyrigat