of the skin
earring earring
curl
of the belly
and then
stone mermaid
stone heart
dry as a flower
on rock
you long eyed women
the golden
drunk swan breasts
lips
the long long eyes
we stand against the sky
I bring you
a flute
from the throat
of a loon
so talk to me
of the used heart
THE RIVER NEIGHBOUR
All these rumours. You lodge in the mountains
of Hang-chou, a cabin in Portland township,
or in Yüeh-chou for sure
the dust from my marriage
wasted our clear autumn
This month the cactus
under the rains
while you lounge with my children
by the creek snakes, the field asparagus
Across the universe
each room I lit
was a dark garden, I held
nothing but the lamp
this letter paints me
transparent as I am
One dead bird in the hall
conversation of the water-closets
company of the leaf on the stairs
I pass her often
Moon leaf memory of asparagus
I find her earrings
at the foot of curtainless windows
In the kitchen
salt fills the body
of an RCA Victor dog
Let us nose our way
next year with the spring waters
and search for each other
somewhere in the east
TO A SAD DAUGHTER
All night long the hockey pictures
gaze down at you
sleeping in your tracksuit.
Belligerent goalies are your ideal.
Threats of being traded
cuts and wounds
– all this pleases you.
O my god!
you say at breakfast
reading the sports page over the Alpen
as another player breaks his ankle
or assaults the coach.
When I thought of daughters
I wasn’t expecting this
but I like this more.
I like all your faults
even your purple moods
when you retreat from everyone
to sit in bed under a quilt.
And when I say ‘like’
I mean of course ‘love’
but that embarrasses you.
You who feel superior to black and white movies
(coaxed for hours to see
Casablanca
)
though you were moved
by
Creature from the Black Lagoon
.
One day I’ll come swimming
beside your ship or someone will
and if you hear the siren
listen to it. For if you close your ears
only nothing happens. You will never change.
I don’t care if you risk
your life to angry goalies
creatures with webbed feet.
You can enter their caves and castles
their glass laboratories. Just
don’t be fooled by anyone but yourself.
This is the first lecture I’ve given you.
You’re ‘sweet sixteen’ you said.
I’d rather be your closest friend
than your father. I’m not good at advice
you know that, but ride
the ceremonies
until they grow dark.
Sometimes you are so busy
discovering your friends
I ache with a loss
– but that is greed.
And sometimes I’ve gone
into
my
purple world
and lost you.
One afternoon I stepped
into your room. You were sitting
at the desk where I now write this.
Forsythia outside the window
and sun spilled over you
like a thick yellow miracle
as if another planet
was coaxing you out of the house
– all those possible worlds! –
and you, meanwhile, busy with mathematics.
I cannot look at forsythia now
without loss, or joy for you.
You step delicately
into the wild world
and your real prize will be
the frantic search.
Want everything. If you break
break going out not in.
How you live your life I don’t care
but I’ll sell my arms for you,
hold your secrets for ever.
If I speak of death
which you fear now, greatly,
it is without answers,
except that each
one we know is
in our blood.
Don’t recall graves.
Memory is permanent.
Remember the afternoon’s
yellow suburban annunciation.
Your goalie
in his frightening mask
dreams perhaps
of gentleness.
ALL ALONG THE MAZINAW
Later the osprey
falling towards
only what he sees
the messenger heron
warning of our progress
up Mud Lake
a paddle is
stranger
to what it heaves out of the way
Wherever you go
within a silence
is witnessed,
touches.
Everything aware
of alteration but you.
Creatures who veer.